Miguel A. García launches Eraginie with the sounds of “a hypothetical space junk video game,” and then proceeds to find awe in detritus and debris (Crónica, September 5). via A Closer Listen’s Fall Music Preview.
Category Archives: Reviews
David Lee Myers’s “Strange Attractors” reviewed by Music Map
Alcuni concetti sono ricorrenti perché affascinano numerosi artisti. David Lee Myers ne riapre uno spesso frequentato di recente, grazie alle continue conferme dalla fisica quantistica: il tempo non esiste. Noi siamo organismi che crescono e cambiano, in un prima e in un dopo. Ma quello che misuriamo è un continuum. Giorno e notte li consideriamo …
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Miguel A. García’s “Eraginie” reviewed by Vital Weekly
Miguel A. García is an artist living in Bilbao who works in experimental music and sound art. He is active in various groups or collectives and is also known under his other project name, Xedh. In another life, for another magazine (back in 2010), I got to review his release “Vinduskarm” on the Athens-based Triple …
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David Lee Myers’s “Strange Attractors” reviewed by Electronic Sound
David Lee Myers’s “Strange Attractors” reviewed by African Paper
Gerade ist ein neues Album des New Yorker (Klang-)Künstlers David Lee Myers erschienen, der auch unter seinem Projekt Arcane Device bekannt ist, es enthält vier auslandende Tracks von meist kreisender Dröhnung, die sich in Fülle und Intensität stetig steigert. Ein wesentlicher Fokus des u.a. auf Feedback, gesampleten Geräuschen und digitalen Zeiteffekten (Delay, Reverse etc.) basierenden …
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David Lee Myers’s “Strange Attractors” reviewed by Radiohörer
Strange Attractors ist ein Beispiel für das, was man Zeitverschiebungsmusik nennen könnte. Eine wechselnde Mischung aus Rückkopplungen, anderen Geräuschquellen und gefundenen Klängen wird in eine Reihe von digitalen Stereo-Verzögerungseinheiten eingespeist, deren Parameter (Verzögerungszeit, Reverse, Freeze usw.) in Echtzeit über LFOs, Sample- und Hold-Regler usw. sowie durch manuelle Live-Anpassungen manipuliert werden, um ein sich ständig weiterentwickelndes …
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David Lee Myers’s “Strange Attractors” reviewed by Anxious
Strange Attractors to przykład tego, co można nazwać muzyką Time Displacement. Zmienna mieszanka sprzężeń zwrotnych, innych źródeł hałasu i znalezionych dźwięków jest podawana do serii stereofonicznych cyfrowych delayów, których parametrami manipuluje się w czasie rzeczywistym za pomocą LFO, kontrolerów sampli, a także ręcznych zmian na żywo, aby stworzyć stale ewoluujący pastisz dźwięków. Siedzenie w ciszy (zwłaszcza późno w nocy) i słuchanie tych kompozycji może być dziwnie ekscytujące. …
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@c + Drumming GP‘s “For Percussion” reviewed by Music Map
Questo è un lavoro di ricerca, musica sperimentale su commissione, tutto incentrato sulle potenzialità delle percussioni. @C + Drumming GP è il nome di questo progetto, diretto da Miquel Bernat e composto e prodotto da Miguel Carvalhais e Pedro Tudela. Prima di partire coi lavori, i membri del progetto si sono interrogati su cosa voglia …
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@c + Drumming GP‘s “For Percussion” reviewed by Inactuelles
En voyant sur la pochette le mot “Drumming”, beaucoup penseront sans doute à la célèbre composition de Steve Reich. Le seul rapport, ce sont les percussions. Extrêmement variées, avec, selon les titres, électronique, ordinateurs, échantillons. Un disque qui semblera difficile, et il l’est, mais ne demande qu’à être attentivement écouté pour livrer ses trésors… Drumming GP désigne …
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David Lee Myers’s “Strange Attractors” reviewed by Igloo
Myers has been pushing at the boundaries of electronic music for longer than some folks have been alive, and his continuing explorations within such variegated arenas serve to excite and regularly illuminate the more mundane aspects of existence. Most of this is due to the fact that Myers, whether under his given name or as …
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