Category Archives: Reviews
Bruno Duplant’s “Sombres Miroirs” reviewed by African Paper
Der französische Komponist und Mehrfachinstrumentalist Bruno Duplant bringt mit “Sombre Miroirs” Ende des Monats ein neues Album und somit den zweiten Teil der im vorigen Jahr mit “Élégie du temps présen” (Granny Records) begonnen Trilogie heraus. In zwei auslandenden Soundscapes kreist Dupont wie beim Vorgänger um den Zustand der Welt – “planet, nature, humanity, civilizations, …
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Morten Riis’s “Lad enhver lyd minde os om” reviewed by Vital Weekly
Somehow this sounded like a familiar name, but I couldn’t find anything about him that I had written earlier. Morten Riis is from Denmark, where he works as a composer, sound artist and researcher. Amongst the things he does are large scale sound installations. He recorded the music on the cassette using homemade synthesizers and …
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Bruno Duplant’s “Sombres Miroirs” reviewed by Vital Weekly
The man has many releases to his name, and it is tough to put his music into one particular genre. There are times when I would have said that his music fits the world of ambient music, with a penchant for the lo-fo approach, but this work is something different altogether. There is no evidence …
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Morten Riis’s “Lad enhver lyd minde os om” reviewed by Silence and Sound
Le nouvel album de Morten Riis s’apparente à une oeuvre fantôme, objet sonore construit autour de sensations auditives et de variations émotionnelles échappées d’un au-delà déconstruit, traversé de granit éclaté et de poussière concentrée. Lad enhver lyd minde os om flotte au dessus de surfaces disloquées prêtes à s’évaporer, formes chancelantes à l’abstraction corrosive. Morten Riis travaille la matière …
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Morten Riis’s “Lad enhver lyd minde os om” reviewed by African Paper
Der in Dänemark lebende und als Klangkünstler, Komponist und Wissenschaftler tätige Morten Riis bringt sein erstes Solo-Release seit 2009 heraus. “Lad enhver lyd minde os om” wurde auf selbstgebauten Synthies produziert und mit modifizierten 4-Spur-Rekordern aufgenommen. Es erscheint digital und – mit Bonusmaterial – auf Tape bei Crónica, das Artwork basiert auf der Fotografie “Interior …
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Gintas K’s “Lėti” reviewed by Inactuelles, musiques singulières
L’artiste sonore et compositeur lithuanien Gintas K sort, seize ans après son premier disque chez Crónica, l’excellent label portugais consacré aux musiques électroniques et expérimentales, Lèti, « Lent » en lithuanien. Onze titres de musique électronique à la fine granulation : regardez bien la pochette ! Clochettes, touches de synthétiseur : un clapotis, un tintinnabulement enchanteur, c’est “Bells”, …
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Morten Riis’s “Lad enhver lyd minde os om” reviewed by Seismograf
Med kun synths og kassettebåndoptagere har Morten Riis skabt et album, der med sine selvpålagte begrænsninger opnår en fascinerende dybde. Et album, der med meget få virkemidler siger virkelig lidt og på samme tid virkelig meget. Små musikalske bidder driver ind og ud af det hørbare felt. Ringer ind, brummer, hviner, hvisler og ringer ud …
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David Lee Myers’s “Reduced to a Geometrical Point” reviewed by Neural
David Lee Myers, the composer of Reduced To A Geometrical Point, is quick to point out that he is not really a fan of “music for meditation”, although he has noticed that some audio constructions seem to encourage a position of staying in the moment. It is the simple truth of being “reduced to a …
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Øyvind Brandtsegg’s “Persistent Disequilibrium” reviewed by Ballade
Øyvind Brandtsegg søler på kjøkkenet. Han tar mjøl, krydder og en del andre kjøkkenprodukter, drysser dem utover en glassplate og setter på strøm. Slikt blir det bråk av. Brandtsegg er professor i musikkteknologi ved NTNU og en nestor i den punkete DIY-glade musikk-avantgarden i Trondheim. Han spiller på «instrumentet» sitt med å bikke fatet i ulike …
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