“Juryo: Durée de la vie de l’ainsi-venu” reviewed by Kathodik

Destrutturazione sintetica e materiali concreti, stratificati o ad incastro forzato. Nel classico stile della label portoghese, field recordings (belli e molto quelli raccolti in Asia) e manipolazione digitale. L’effetto, è una coltre sfocata e sfrigolante a ricoprir passaggi di materia viva che accendono più di un’immagine in fondo alla scatola cranica. Elettroacustica evocativa e tumefatta …

“Intuited Architectures” reviewed by RNE 3 Atmosfera

Graeme Truslove es un compositor y performer basado en Glasgow, Escocia. Su producción incluye composiciones sonoras y audiovisuales y música improvisada. Graeme Truslove toca la guitarra y el Laptop en diferentes proyectos en solitario y en colaboración. Hasta ahora, la producción musical de Graeme Truslove se ha dividido entre mundos muy diferentes: la composición electroacústica …

“Under my Skin” reviewed by Gonzo Circus

Een kleine verrassing bij Crónica is de nieuwe uitgave van de Litouwse componist Gintas K. Hij is geen onbekende – ook niet op dit Portugese label – maar meneer K komt hier met zijn eerste uitgave op cassette. De reden om voor die geluidsdrager te kiezen blijft onduidelijk. Belangrijker: ook inhoudelijk is ‘Under My Skin’ …

“Nowhere: Exercises in Modular Synthesis and Field Recording” reviewed by The Sound Projector

We haven’t heard a great deal from Jos Smolders, the Dutch musician who began his career studying architecture, outside of his contributions to a compilation of sorts called International Musique Concrète Assembly where he appeared with fellow Netherlandish droner Frans de Waard. But that was in 2007. It would have been nice to have heard …

“Juryo: Durée de la vie de l’ainsi-venu” reviewed by Aural Aggravation

The title of the latest album by the super-prolific experimental composer and student of film and musique concrete, Emmanuel Mieville, comes from the Japanese translation of the Sanskrit word and alludes to a chapter of the Lotus Sutra, a renowned text from Māhāyana Buddhism. Apparently. It’s hardly my field of expertise. And so the inevitable …

“Intuited Architectures” reviewed by Blow Up

Nel greco classico ci sono due parole per indicare il tempo. “Cronos” indica il tempo che scorre uguale e può essere misurato (per cui parliamo di “cronologia” o “cronometro”), “kairos” indica invece un tempo speciale, una occasione particolare (la prima volta che sono stato a un concerto, ad esempio, o il giorno del matrimonio) o …

“Stikhiya” reviewed by Blow Up

Il titolo è uma parola russa che indica un contatto e una immersione immediata, quase magica, con la natura, senza mediazioni intellettualistiche, usata dai poeti nell’800 (Tolstoj e Blok i riferimenti letterari). Ecco allora un’immersione panica che Sakellariou, comositore elettroacustico greco, appronta con una sensibilitè da entusiasta (nel senso mistico greco). Nonostante sia musica urbvana …

“Intuited Architectures” reviewed by Nitestylez

Put on the circuit in early May, 2k17 via the Portuguese Cronica-imprint is “Intuited Architectures”, the new longplay effort by Glasgow-based and multi-awarded composer Graeme Truslove who on this piece deals with the possibilities of real time interaction with micro-level production techniques. Opening with “Suite II, Portals” Graeme Truslove opens up a world of a …

“Shadows and Reflections” reviewed by Vital

The music on this cassette was composed for an audio-visual collaboration Adkins did with painter Andy Fullalove in the Bradford Cathedral in 2016. It was a “response to the newly restored altarpiece by William Morris as well as the priceless stained glass windows in the cathedral by Morris’ company”, and Adkins was inspired by the …

“Product 02” reviewed by Data.Wave

Internet is a giant sound supermarket, with music labels supplying products and Ran Slavin is a master chef of the high quality music. Product 02 record offers an exquisite dish of sound design with a desert of music metamorphosis. This is quite a light record with a distinct therapeutic effect. I went through a lot …