Category Archives: Reviews
Cecilia Quinteros’s “Qadira” reviewed by Bad Alchemy
Kunrad’s “Kleine Geluiden” reviewed by Blow Up
Philippe Petit’s “Closing Our Eyes” reviewed by African Paper
Das neue Album “Closing Our Eyes” von Philippe Petit erscheint am 1. April bei Crónica. Es vereint elektronische und akustische Elemente zu einer Serie von Kompositionen, die laut Label dazu anregen sollen, eigene innere Bilder entstehen zu lassen. Petit setzt damit seine Auseinandersetzung mit Klang als viefältiges Ausdrucksmittel fort und entwickelt die Ansätze früherer Arbeiten …
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Kunrad’s “Kleine Geluiden” reviewed by Music Map
Sin dai suoi primi anni di attività, Kunrad, artista olandese di stanza a L’Aia, ha creato composizioni e installazioni per restituire valore ai suoni più quotidiani. Si inserisce in questo stesso solco anche la sua ultima fatica discografica (uscita per Crónica Records), “Kleine Geluiden”, che in italiano si potrebbe tradurre con “piccoli suoni”. Ad alimentare …
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Philippe Petit’s “Closing Our Eyes” reviewed by Blow Up
Kunrad’s “Kleine Geluiden” reviewed by Felt Hat
Some albums come across as something subtle and almost unnoticeable. Not in a negative way, on the contrary. Kunrad’s new cd released by the Portuguese label Crónica is a great example of how a sound art modal can be blended with art installation and field recording. It is an important aspect of his work – …
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Kunrad’s “Kleine Geluiden” reviewed by Bad Alchemy
KUNRAD arbeitet als Klangkünstler in Den Haag mit Metall, Papier und Lehm und bei seinen Installationen etwa mit 1.000 kleinen Messingröhrchen, ins Wasser geworfenen Steinen oder Gummihämmern mit einer Brücke als Klangskulptur. Das hört man als ‘Brass & Sand’, ‘Stones & Water’ und ‘Bridge & Hammer’ auf Kleine Geluiden (C 230), neben der 3-teiligen ‘Water & Paper …
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@c + Drumming GP‘s “For Percussion” reviewed by Percussive Notes
For Percussion is a collection of six electronic tracks with various acoustic elements incorporated into the recordings. Some of these tracks were recorded live during performances from 2002 to 2008, while others have been recently revisited in 2022. The electronic components and core compositions were created by @c a duo composed of Miguel Carvalhais and …
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Miguel A. García’s “Eraginie” reviewed by The Sound Projector
Some years ago Miguel A. García informed me he was starting to work with string ensembles and classical players, directing musicians who can sight-read music to play his scores or execute directions in music devised by him. This represented quite a departure from his usual solo work with laptops, mixing desk, and processed recordings. I keep hoping …
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