Futurónica 149

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Episode 149 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, September 18th.

The playlist of Futurónica 149 is:

  1. Jos Smolders, TomTomTomTom (2015, Modular Works 2015Q1, Crónica)
  2. Jos Smolders, Through the Looking Glass (1997, Tulpas, Selektion)
  3. Jos Smolders, For RH (dark) (2015, Modular Works 2015Q1, Crónica)
  4. Jos Smolders, For RH (debris) (2015, Modular Works 2015Q1, Crónica)
  5. Jos Smolders, Prélude à l’Après Midi d’un Phone (1996, A Fault In The Nothing, Ash International)
  6. Jos Smolders, For RH (light) (2015, Modular Works 2015Q1, Crónica)
  7. Main, Heuristic III (2002, Tau, K-RAA-K)

You can follow Rádio Zero’s broadcasts at radiozero.pt/ouvir and Rádio Manobras at radiomanobras.pt.

New release: Jos Smolders’s “Modular Works 2015Q1”

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Crónica is very proud to present the new release by Jos Smolders “Modular Works 2015Q1”, available today as a free download from Crónica or Crónica’s Bandcamp.

I composed these works during the first months of 2015. They are clearly defined constructions, built in a modernistic fashion. The sounds have a character of their own (objets musicales) but I force my will onto them and thus create a composition. In the months before this production I had been restoring and mastering 10 albums of the music of Pierre Henry. That, as always, had a great influence on my state of mind as a composer. The theatrical approach of Henry is clearly audible in these works. I started with a certain mood in my head and worked from there. First collecting the initial sounds (objets sonores), reworking and editing them and in the mean time placing them in a timeline. Three of the works are dedicated to Robert Hampson, because I admire his electro acoustic works very much and because he can be such an inspiring conversationalist on the subject of Musique Concrete. — Jos Smolders, Tilburg, July 2015

Playing with sound and music for 30 years, co-editing Vital Magazine and founding THU20, a supergroup of the Dutch experimental underground, Smolders has been a significant contributor to the electronic music community. In addition to his work as a sound artist, he founded EARLabs.org in 1998, eventually turning it into a website dedicated to the fledgling netaudio scene, which combined aspects of online magazine, online label, mastering services and social media functionalities in a revolutionary way. A writer, editor, sound designer, composer, producer and pioneer, Jos Smolders uses his broad experience to perfect and polish the sound of artists including Pierre Henry, Jim Jarmusch, Jozef van Wissem, Merzbow and Scanner.

Marc Behrens remasters Hans Ludwig Jacoby, aka “Boche”

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Marc Behrens remastered the entire catalogue of musical works by his friend Hans Ludwig Jacoby, aka “Boche”. He recorded music from the mid 1980s until 1991. Boche’s “Beats” CD, featuring 27 tracks, was just released on Entr’acte and is now available. You can listen to three tracks here and order the CD in Entr’acte.

“Modular Works 2015Q1” reviewed by The Wire

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In the recent surge of modular synth use, the hardware and the process occasionally overtake the music. Lost is the power of modular systems as tools for composition. In this latest installment of his continuing Modular Works series, Dutch underground maven, Vital Weekly contributor and longtime mastering engineer Jos Smolders corrects this imbalance.
Smolders made this set of four pieces under the influence of the Pierre Henry box set he had recently mastered, and the French auteur’s specter looms large, both in the patience of these compositions and flair for dramatic development. The restrained use of concrete sound and extended field recording excerpts creates an organic dialogue with the carefully crafted synth figures. Matt Wuethrich

“Modular Works 2015Q1” reviewed by Gonzo Circus

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Kort daarna heeft Smolders “Modular Works 2015Q1” uitgebracht, een muzikaal verslag van zijn bezigheden in het eerste kwartaal van dit jaar. Zoals de titel al aangeeft, is de muziek gemaakt met een modulaire, analoge synthesizer. Drie titels verwijzen naar Robert Hampson (Loop, Main), maar het album is eerder geïnspireerd door Pierre Henry. Smolders masterde een selectie uit diens werk voor een set van tien lp’s. De grote theatrale gebaren van de Fransman, maar ook zijn liefde voor de schoonheid van klanken hebben hun weg gevonden naar de muziek van Smolders. Zeer aan te raden. René van Peer

“Modular Works 2015Q1” will be available in Crónica on September 15.

Alexander Rishaug: fall concerts

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Alexander Rishaug has just announced three upcoming performances:

  • 17 September: A.Rishaug presents Ma.org Pa.git feat. Sigbjørn Apeland/Ivar Bjørnson, Incubate Festival, Tilburg, Netherlands.
  • 22 October: A.Rishaug, Gail Priest (AUS) Er’e eksperimentelt a, Kulturhuset, Oslo, Norway.
  • 01 November: A.Rishaug presents Ma.org Pa.git feat. Sigbjørn Apeland/Ivar Bjørnson, Ekko Festival, Bergen.

Marc Behrens releases “The Religion of Toxins”

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Marc Behrens’s new mini-album “The Religion of Toxins” was released as a digital edition. The work was first presented as a sound installation at Museu Serralves, Porto, Portugal, May 30–31, 2015, during “Serralves em Festa 2015”, inside the Serralves chapel.

“The Religion of Toxins” is now available to stream and buy in Bandcamp.

Futurónica 148

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Episode 148 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, September 4th.

The playlist of Futurónica 148 is:

  1. Martijn Tellinga, Branching into Others, for a large instrumental field (2015, Positions, Crónica)
  2. Martijn Tellinga, Three Modulators, for trombones (2015, Positions, Crónica)
  3. Martijn Tellinga, Sur Face, Carriage Works parking lot (2015, Positions, Crónica)
  4. Martijn Tellinga, Truth, exercise for a listener (2015, Positions, Crónica)

You can follow Rádio Zero’s broadcasts at radiozero.pt/ouvir and Rádio Manobras at radiomanobras.pt.