“Black Outâ€, a performance by João Samões, with sound processing by Vitor Joaquim, video by João Dias and João Samões and interpretation by João Samões and João Galante, will be presented today and tomorrow at the Temps d’Images festival in Culturgest, Lisbon. Entrance is free until the limit of the room’s capacity. More information at …
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Tomorrow, November 7, Vitor Joaquim will perform with Hugo Holim at ARTECH 2008, the 4th International Conference on Digital Arts, in Porto. In the same evening, Ajay Kapur and Arne Eigenfeldt will present their “Collaborative Composition for Musical Robotsâ€. Several other talks, keynotes and events are scheduled, check the full program at the ARTECH website.
Grain of Sound has just released the “Sonic Scope 2008 — Live at Fonoteca Municipal de Lisboa†CD. This compilation features recordings from this year’s Sonic Scope festival, including One-Off, Plan, Sei Miguel, Red Trio, Whit, Curia, Carlos Pereira and the @c + Vitor Joaquim trio in their first recording since De-Tour.
After six years taking place in Setúbal and Palmela, the EME 2008 festival will this year relocate to Lisboa, to the Teatro Ibérico / Igreja de S. Francisco Xabregas from October 1 to 4. Curated by Vitor Joaquim, EME 2008 will feature an extensive program that includes Frank Bretschneider, Greg Haines, Tina Frank, The Beautiful Schizophonic, Safe …
The Devil is in the Detail, by Vitor Joaquim. Recorded live at Casa da Música, Porto, May 3rd 2008. Download it here or subscribe to the podcast in iTunes.
A mais recente edição da editora lusa Crónica Electrónica é dedicada ao trabalho do artista português da expressão sonora e da improvisação electrónica, VÃtor Joaquim. Depois de “La Strada is on Fire (and We Are All Naked)” – Crónica Electrónica 03, de 2003 – VÃtor Joaquim apresenta uma bem conseguida sequência de deambulações e confrontos …
Die Computerwelt öffnet sich zusehends für andere Quellen. Ging es vor ein paar Jahren noch darum zu zeigen, was innerhalb dieser abgeschlossenen Welt alles für Sounds möglich waren, so geht es heute eher um einen Dialog und das Durchbrechen von Ästhetiken, die einer bestimmten Produktionsweise geschuldet sind. Flow ist genau das: ein Fluß aus warm-pulsierenden …
In “Morte a vele spiegate†di C. P. Snow, un giallo che al momento sto leggendo, a un certo punto c’è scritto: ‘Tutta la critica… (teatrale) …è una lotta tra le cose che i propri sentimenti approvano e le cose che il proprio gusto raffinato reputa ridicole’. Quali sono i criteri da utilizzare nel valutare …
Often it is not enough to be dear to the other—one feels compelled to be fatal to them. Tangled in the maw of long, violin-like sonorities, shards of jack-plug static and nightmarish boomings suggestive of cavernous depths, the strangely neutral voice of Filipa Hora—overdubbed and pitchshifted variously up and down—bears out just this fear, musing …
Attention, ceci est un disque Cronica !!! Comme d’habitude avec ce label, on est partagé entre l’a priori positif (on a rarement été déçu par les sorties du label portugais), et l’appréhension d’avoir a faire à un disque un peu plus difficile que les autres, conceptuel, abscons. Cronica Electronica est toujours à la limite, mais …
