Mise_en_Scene’s “-O-R-G-A-N-” reviewed by Dark Entries

Mise_En_Scene is het project van de Israëlische geluidstechnicus Shay Nassi, alwaar hij zijn opgedane vaardigheden gebruikt om op subtiele wijze elementen van minimalisme en noise in zijn muziek te gieten. De streepjes in de titel van zijn laatste werk -O-R-G-A-N- lijken te beduiden dat hij het woord wil ontleden. Zo is het Engelse woord ‘organ’ …

New release: Mise_en_Scene’s “-O-R-G-A-N-”

Shay Nassi works as Mise_en_Scene and is based in Tel Aviv, where he studied sound engineering and subsequently put his skills to good use by producing music where he delicately integrates elements of minimalism and noise. Following a compilation of remixes, Leftovers (Reworked) (060~2011) and three solo releases, 443 (075~2013), Primary Fields (106~2016) and Constellation …

Mise_en_Scene’s “-O-R-G-A-N-” reviewed by Vital Weekly

Behind Mise_en_Scene we find Tel Aviv based Shay Nassi, who studied engineering and then went on to produce music. He was/is part of a duo called Ket3m (see Vital Weekly 904). Boltfish released a very early release by Mise_en_Scene (Vital Weekly 574). I had not heard any other of his releases, so I can’t say …

New release: Mise_en_scene’s “Constellation / Deformation”

Crónica is proud to present a new release from Shay Nassi’s project Mise_en_scene, after the previous 443, Leftovers (Reworked), and 2016’s Primary Fields. Constellation / Deformation is a direct continuation of Primary Fields, putting a stronger emphasis on digital processing. As in Primary Fields, these works are based on a single field recording, in different …

New release: Mise_en_scene’s “Primary Fields”

Crónica is delighted to present a new release from Shay Nassi’s project Mise_en_scene, after the previous 443 and Leftovers (Reworked). Nassi hails from Tel Aviv, where he began studying sound engineering, obtaining a degree in Practical Sound Engineering. He subsequently put those skills to good use producing music where he delicately integrates elements of minimalism …