Episode 84 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, March 22nd. The playlist of Futurónica 84 is: KTL, Last Spring: A Prequel (2012, KTL V, Editions Mego) Eleh, Spring Mornings 2012 (2012, Weight of Accumulation, Important Records) Morton …
Author Archives: Miguel Carvalhais
“Queendom Maybe Rise†reviewed by Vital Weekly
It’s been a while since I last heard about Elgaland/Vargaland and I kinda hoped it would all been have passed by now, the kingdom was overthrown by The People’s Republic Of Elga/Varga, but here the ministry of not knowing what to be a ministry of, also known as Marc Behrens, offers a piece that was …
Continue reading ““Queendom Maybe Rise†reviewed by Vital Weekly”
“Monnom / Hertz, Gigahertz†reviewed by Sonidos Restringidos
Este año se celebra un siglo de la publicación del manifiesto L’arte dei rumori (El arte de los ruidos), escrito por el futurista italiano Luigi Russolo en marzo de 1913 (puedes leerlo, traducido al castellano, en este blog), y a buen seguro proliferarán recordatorios y reivindicaciones de las ideas revolucionarias entorno a la concepción musical …
Continue reading ““Monnom / Hertz, Gigahertz†reviewed by Sonidos Restringidos”
“Monnom / Hertz, Gigahertz†reviewed by Loop
This is a collaboration between Miguel A. GarcÃa and Durán Vázquez for a split album in Crónica’s Unlimited Series. The piece ‘Monnom’ composed by GarcÃa lasts 17 minutes approximately and shows a repetitive, mechanic and provocative noise. Drones in the background are the basis of sound design which are articulated in complex software. ‘Hertz, Gigahertz’ …
Continue reading ““Monnom / Hertz, Gigahertz†reviewed by Loop”
New release by The Beautiful Schizophonic in Dynamophone Records
“Belkiss†by The Beautiful Schizophonic is out now on San Francisco based label Dynamophone Records.
Futurónica 83
Episode 83 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, March 8th. The playlist of Futurónica 83 is: Marc Behrens, Unit (2012, Unit, and/OAR) Marc Behrens, Maybe Rise (2013, Queendom Maybe Rise, Crónica) You can follow Rádio Zero’s broadcasts …
“Untitled #284†reviewed by Terz
Wir bleiben den soundtrackartigen Reisen. Der spanische Klangkunst-Experimentalist ist für seinem regen Output bekannt. Dieses 43-Minuten-Stück wirkt in seiner postindustriellen Fragilität nahezu gasförmig, man muss den Klãngen und ihren Verzweigungsbewegungen und Neuformungen nahezu wie in einem abgedunkelten Videogame folgen, dann wird mensch durch neue Wendungen und des Gefühl eines Trip belohnt. Das bereits 1992 nur …
“Queendom Maybe Rise†reviewed by Boomkat
Sound and visual artist, Marc Behrens, arrives on Portugal’s Crónica label with two subtly enveloping, morphing electro-acoustic compositions. ‘Maybe Rise’ follows an expansive, abstract narrative of tunnelling drones and finely layered field recordings reminding of works by his former collaborator, Francisco López and his previous work for label’s such as Raster-Noton and Trent Oiseaux. More …
Continue reading ““Queendom Maybe Rise†reviewed by Boomkat”
New release: “Queendom Maybe Rise†by Marc Behrens
Crónica is proud to present a new release by Marc Behrens, “Queendom Maybe Riseâ€, now available directly from Crónica or through selected retailers. Maybe Rise opens up a concrete sound space of two contradicting elements, firstly a harmonious but nondescript utopian location, secondly a highly symbolic and hyperrealist place of human action, derived from material …
Continue reading “New release: “Queendom Maybe Rise†by Marc Behrens”
“Never So Alone†reviewed by Sonic Seducer
Als im März 2010 der isländische Vulkan Eyjafjallajökull ausbrach und damit den flugverkehr über Europa für einige Tage zum Erliegen brachte, gehörte Simon Whetham zu den Gestrandeten. Er nutzte die unfreiwillige Freizeit und streifte mit diverser Aufnahmetechnik durch Lissabon, um die Stadt und ihr Umland akustisch einzufangen. Dabei kamen nicht nur Mikrophone zum Einsatz, sondern …
Continue reading ““Never So Alone†reviewed by Sonic Seducer”
