Author Archives: Miguel Carvalhais
David Lee Myers’s “Terrenus” reviewed by Chain DLK
David Lee Myers has been called many things – pioneer of feedback music, sonic cartographer, stubborn alchemist of electronics – but with “Terrenus” he plants his machines firmly in the soil. If so much electronic sound gazes longingly at the stars, Myers insists on digging his fingernails into mud and moss, coaxing voices from tangled …
Continue reading “David Lee Myers’s “Terrenus” reviewed by Chain DLK”
Ilia Belorukov’s “NRD DRM TWO 2022-2024” reviewed by Music Map
Ilia Belorukov è un musicista originario di San Pietroburgo e attualmente di stanza a Novi Sad, in Serbia. Da tempo attivo nel campo della musica sperimentale, del noise, dell’elettroacustica e dell’improvvisazione, Belokurov è tornato recentemente per Crónica Records con “Nrd Drm Two 2022-2024”, una raccolta di pezzi realizzati nel triennio in questione con un Nord …
Continue reading “Ilia Belorukov’s “NRD DRM TWO 2022-2024” reviewed by Music Map”
Matilde Meireles’s “Loop. And Again.” reviewed by Musique Machine
Loop And Again is a CD album themed around magnetic fields. It blends recordings of said fields, drone texturing, sudden pitch rising detail, and general field recordings. The three tracks featured are eventful, moody, at times atmospherically jarring- with a sound that dips in electro ambience, pressing drone texturing, and even droned out avant jazz. …
Continue reading “Matilde Meireles’s “Loop. And Again.” reviewed by Musique Machine”
Simon Whetham’s “Successive Actions” reviewed by Musique Machine
Successive Actions takes in sixteen tracks built around recordings of motorised devices, sourced from obsolete consumer technology. Track lengths vary between one and eleven minutes, with the recordings moving between textural studies, erratic blending of several different elements, and all-out/ intense sound crafting.The CD album comes presented in a dark blue card gatefold featuring what looks …
Continue reading “Simon Whetham’s “Successive Actions” reviewed by Musique Machine”
New release: [MONRHEA] + AGF’s “INvolution”
We’re happy to announce the release of the new album by [MONRHEA] + AGF, “INvolution”, now available to download or stream from Crónica’s Bandcamp. Monrhea and agf met online, as admirers of each other’s productions on Soundcloud. They later collaborated in the Darmstadt summer course program “Sonic Writing & Soundings”, curated by agf and Cedrik …
Continue reading “New release: [MONRHEA] + AGF’s “INvolution””
David Lee Myers’s “Terrenus” reviewed by African Paper
Gerade erscheint bei Crónica das neue Album “Terrenus” von David Lee Myers. Das Werk versteht sich laut Label als Erkundung rein elektronischer Klänge, die jedoch nicht ins All gerichtet sind, sondern auf die Erde: “Terrenus” wird ausdrücklich als „earth music“ verstanden, nicht als „space music“. In seiner Ausrichtung knüpft es an “Frontier” (2022) an, ebenfalls …
Continue reading “David Lee Myers’s “Terrenus” reviewed by African Paper”
David Lee Myers’s “Terrenus” reviewed by radiohoerer
Beim Anhören von David Lee Myers‘ „Terrenus” musste ich ein wenig an Brian Enos „On Land” denken. Wenn auch nur entfernt. Könnte das nicht eine Übersetzung in das Jahr 2025 sein? Für mich ergeben sich da durchaus Parallelen. Was denkt ihr dazu? Aber auch ohne diesen Verweis auf Eno ist die elektronische Musik von David …
Continue reading “David Lee Myers’s “Terrenus” reviewed by radiohoerer”
New release: David Lee Myers’s “Terrenus”
We’re extremely proud to welcome David Lee Myers to Crónica for the fourth time and to present his new album, Terrenus. Terrenus is an exploration in purely electronic sound, and although much electronic music is characterised as “space music”, Terrenus is much more accurately portrayed as “earth music.” This album follows along similar lines to David Lee Myers’s Frontier (2022) …
Continue reading “New release: David Lee Myers’s “Terrenus””
David Lee Myers’s “Terrenus” reviewed by Anxious
Na swojej najnowszej płycie Terrenus David Lee Myers kontynuuje eksplorację świata czysto elektronicznego brzmienia, jednak z wyraźnym zwrotem ku temu, co ziemskie, namacalne i gęste. W odróżnieniu od wielu współczesnych produkcji elektronicznych, które dryfują ku temu, co kosmiczne i odrealnione, Myers tworzy muzykę głęboko zakorzenioną – zamiast przestrzeni kosmicznych, przywołuje obrazy zamglonych łąk, nieostrych pejzaży i rzek …
Continue reading “David Lee Myers’s “Terrenus” reviewed by Anxious”
