Bruno Duplant’s “Écouter les Fantômes” reviewed by Nieuwe Noten

Op de Bandcamppagina van ‘Écouter les fant​ô​mes’ zegt Duplant over zijn werk: “My music is intended to be narrative and fictional. I do the same in my practice of photography (zie de hoezen van deze albums, red.) and writing. I never try to transcribe reality. This doesn’t interest me in any way. What, on the …

Matilde Meireles’s “Loop. And Again.” reviewed by Music Map

Matilde Meireles è una sound artist e ricercatrice musicale, con un focus particolare sui field recordings e un gusto per i progetti che mettono al centro i luoghi nei quali vengono realizzati. Considera casa il Portogallo tanto quanto l’Irlanda e l’Inghilterra e da poco è tornata per Crónica Records con “Loop. And Again.”, un lavoro …

Emiter’s “Repetition and Memory” reviewed by Anxious

Nagrywanie, słuchanie, ruch, rytm. Istnieje wiele śladów, które tworzą nieskończone możliwości łączenia w nowe jakości. Ślady, nagrywanie, czas, częstotliwość. Powtarzanie i pamięć. Alan Burdick pisze, że „Złota era ucha nigdy się nie skończyła (…) Trwa, zasłonięta hegemonią wizualności”, ale „Historia ucha” rozbrzmiewa w zapomnieniu. Marcin Dymiter – muzyk (gra w projektach emiter, niski szum, ZEMITER oraz …

Simon Whetham’s “Successive Actions” reviewed by Chain DLK

Simon Whetham’s “Successive Actions” is not so much an album as it is a murmuring labyrinth of discarded whispers, a requiem for obsolete machines played on their own brittle bones. In this latest iteration of his “Channelling” project, Whetham transforms the detritus of consumer technology – motors, mechanisms, and malfunctions – into an orchestra of …

New release: Miguel A. García & Coeval: “Laliguras”

Coming close to the end of 2024 but not winding down in any way, we’re thrilled to present a new release by Miguel A. García and Coeval, their second collaboration in Crónica after last year’s Huncill. Laliguras is a wonder of “nuances, progressions, regressions and contradictions” in the words of Ulzion in his text about …