“strings.lines” reviewed by De:Bug

Ausgangspunkt des Stücke dieses Albums ist der Klang von Stimmgabeln, deren sinusnahe Töne moderne Elektronik assoziieren und die doch gleichzeitig in der westlichen Musik tief verwurzelte, fast archaische Werkzeuge sind. Bernier hat zunächst Aufnahmen dieser Töne melodisch arrangiert, dann umspielen lassen von einem Duo aus Viola da Gamba und Violine, ihrerseits konzentriert auf lineare Schichtung, …

“strings.lines” reviewed by Polychromic

Créées entre 2008 et 2010, les 5 pièces qui composent strings.lines sont de Nicolas Bernier. Compositeur canadien, entouré de Pierre Yves Martel et Chris Bartos, livre 5 lignes ou 5 diagonales entre passé et présent ou entre viole de bambe/violon et électronique. Une musique instrumentale et minimale gorgée de micro-sons, d’infimes résonances… Une musique traditionnelle …

“strings.lines” reviewed by Elegy

Le travail de Nicolas Bernier se situe aux confins de l’expérience électronique et des limites acoustiques, là où la résonance électroacoustique des sons induit généralement des frontières sonores floues, des lignes de rencontres fascinantes, et des jeux de perceptions le plus souvent altérées par le caractère ténu ou microtonal des fréquences explorées. Pour strings.lines, le …

“strings.lines” reviewed by The Milk Factory

Nicolas Bernier’s passion for sound and for beautiful and intricate structures earned him a honorary mention from the Prix Ars Electronica two years ago for his debut album, Les Arbres. This record was in no way Bernier’s first foray onto the music scene, but until then, his work has mainly constituted of collaborative efforts and …

“strings.lines” reviewed by Cyclic Defrost

Nicolas Bernier’s Strings.Lines uses tuning forks, violin and viola de gamba to produce music that effortlessly evokes early music and also the future. Bernier has these ancient instruments weave slow, graceful, often pained patterns akin to the trio sonatas of baroque composers, but pits these against extreme high and low sustained tones from the tuning …

“strings.lines” reviewed by Rockerilla

Cinque tracce in cui la viola da gamba di Pierre-Yves Martel e il violino di Chris Bartos accompagnano i detriti orchestrati da Nicolas Bernier. Un’intesa miracolosa che genera un lavoro spettacolare in cui le corde inciampano in melodie senza tempo prima di rantolare in vicoli senza luce. “Line (A)”, la seconda traccia in scaletta, è …

“strings.lines” reviewed by Sentire Ascoltare

Dei diapason. Guide quasi morali. Le “linee” a cui fa riferimento il titolo del nuovo suggestivo lavoro di Nicolas Bernier sono “tuning fork”, strumenti di accordatura e curiosi spiriti di metallo che riproducono un “puro tono”, a cui anelare. Per un anno e mezzo (settembre 2008-febbraio 2010), Nicolas ha seguito la fascinazione di ciò che …

“strings.lines” reviewed by The Sound Projector

Nicolas Bernier is another modern composer, based in Montreal. On Strings.Lines (CRÓNICA 053) we hear five compositions of his played by Pierre Yves-Martel and Chris Bartos, on the viola da gamba and violin respectively. At the heart of these works resides an obsession with perfect pitch, as manifested by that simple device the tuning fork; …

“strings.lines” reviewed by Sonic Seducer

Im Spannungsfeld von improvisierter und elektroakustischer Neuer Musik warten weiterhin derart viele Perlen auf ihre Entdeckung, dass man nur hoffen kann, dass zumindest ein Teil der Akteure irgendwann einmal die Einsicht ereilt, dass der Schritt aus dem selbst errichteten Elfenbeinturm an eine Öffentlichkeit jenseits eines hochspezialisierten Publikums eine sinnvolle Entscheidung wäre. Ein aktuelles und gutes …

“strings.lines” reviewed by Vital Weekly

It’s only a few weeks ago that I reviewed ‘Courant.Air’ (see Vital Weekly 758) by Bernier, and while not bad, also perhaps not entirely satisfying either, and perhaps being made too quickly. Here on ‘Strings.Lines’ he moves away from the guitar, in favor of a new love (since 2007 actually) for tuning forks, of which …