The Waste Land has been issued in digital recording and audio cassette and has its origins in a 20 minute soundtrack for a documentary movie. The Italian-Swiss composer and sound artist doesn’t give any other details about it. However, it works as an exceptional amplifier of auditory perceptions and stimulates a kind of precise narration …
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“The Waste Land†reviewed by Gonzo Circus
Het is de consequentie als je dezelfde titel gebruikt die T.S. Eliot aan zijn wereldberoemde lange gedicht uit 1922 gaf. Onwillekeurig vraag je je af of er een relatie tussen beide werken is. Moest Luca Forcucci aan Eliots meesterproef denken, toen hij het basismateriaal voor een compositieopdracht ontving? Hij was gevraagd om bij een documentaire …
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“The Waste Land†reviewed by Data.Wave
One more cassette release that came out on the label Crónica. This record serves best to start exploring the world of the noise music. This is truly a textbook example of experimental electronic music! I had a feeling that I opened the window and a real thunderstorm with heavy rain and wind rushed into the …
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“The Waste Land†reviewed by Blow Up
L’etichetta portoghese inaugura la collaborazione com l’artista italo-svizzero con una musicassetta, una breve compilation in cui troviamo la rielaborazione di una registrazione per un documentario, una composizione che parte dai suoni di una miniera di carbone e un assemblaggio di suoni captati passeggiando tra Normandia e Parigi. La diversità di origine dei pezzi invece che …
“The Waste Land†reviewed by A Closer Listen
As we wrap up our five-day field trip, we travel into unfamiliar territories ~ mysterious lands marked by strange and unsettling sounds. Your guides for these journeys: Luci Forcucci, Yannick Dauby & Hitoshi Kojo and smallhaus. Luca Forcucci was given an unusual challenge for his journey into The Waste Land ~ to compose a film …
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“The Waste Land†reviewed by Exclaim!
There are times when the creative process is enriched by limitations. The challenge to produce meaningful work within the confines of this or that restriction can be inspiring; under certain circumstances, it can even define the work. A fine example of this is Luca Forcucci’s The Waste Land, in which the internationally recognized artist and …
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“The Waste Land†reviewed by The Swatch Art Peace Hotel
Former artist-in-residence at the Swatch Art Peace Hotel has just released his new album “The Waste Land”. The starting point for The Waste Land was an invitation to compose a twenty minutes soundtrack for a documentary movie. Accordingly, Luca Forcucci received six minutes of a field recording, without any mention of its own nature, or …
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“The Waste Land†reviewed by Chain DLK
The title track of “The Waste Land†is an unusual example of soundwalking- strolling about gathering atmospheric found sounds and ambiences. While the process often leads to broad and relaxing soundscapes, this is a willful inversion, heavily processed, twisted and alienating. Strong gusty winds and heavy industrial noises of unknown origins lead to a scene …
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“The Waste Land†reviewed by Words & Guitars
An intriguing download and limited edition cassette release from a new Portuguese label Crónica, documenting the work of researcher and artist Luca Forcucci. Forcucci’s website cites his intellectual debt to Pauline Oliveros’ concept of ‘deep listening’: the ability to appreciate and perceive an environment then offer a sonic (or other) response. The results in this …
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“The Waste Land†reviewed by Vital
And finally Luca Forcucci, of which no information was yet available. His cassette was composed and mixed in places INA-GRM, Electronic Music Studio TU (Berlin) and Atomic Lady (Earth). Maybe his composition ‘The Waste Land’ is inspired by T.S. Eliott’s poem of the same name, about the decay of life, and listening to the title …