Trek de deur achter je dicht en ga fijn een stukje lopen. Maakt niet uit waarnaartoe. Doelloos in verwondering van wat je tegenkomt. Niet alleen onder je voeten, niet alleen voor je ogen, maar ook en vooral wat je hoort. Vooral ook de geluiden die net onder de oppervlakte van wat je normaliter direct zou …
Continue reading ““Residual Forms†reviewed by Kinda Muzik”
El nuevo trabajo del francés Emmanuel Mieville hace referencia al adjetivo francés “Concrescence†usado por el compositor François Bayle para describir y subrayar la substancia concreta de los sonidos su música. Este fue el marco de Emmanuel Mieville al componer estas piezas muy cercanas a la música concreta, según la definición de Pierre Schaeffer. Mieville …
Continue reading ““Concret-Sens†reviewed by RNE 3 Atmosfera”
Later today, the second issue of Mono will be presented at the Bookstore of the Serralves museum of Porto, in an event that will include a performance of @c (Pedro Tudela and Miguel Carvalhais) interpreting the graphic scores created by Pedro Tudela for Mono #2. Entrance is free, from 19h. More information at Facebook.
Episode 110 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, March 21st. The playlist of Futurónica 110 is: Éliane Radigue, Safari (1970/2013, Opus 17, Alga Marghen) Éliane Radigue, Epure (1970/2013, Opus 17, Alga Marghen) Éliane Radigue, Number 17 (1970/2013, …
Next Friday, March 21st, the second issue of Mono will be presented at the Bookstore of the Serralves museum of Porto. The event will include a performance of @c (Pedro Tudela and Miguel Carvalhais) that will interpret the graphic scores created by Pedro Tudela for Mono #2. More information at Facebook.
Besides a handful of abstract and experimental musicians, Portugal based Crónica media label is a home to its founders and one of the most interesting acts, @c (pronounced “at-câ€). Originally a trio, @c formed in 2000, and is currently made up of Miguel Carvalhais and Pedro Tudela. Their fourteenth (by my count) release is actually …
Continue reading ““Ab OVO†reviewed by Headphone Commute”
Crónica is very proud to present the new release by LuÃs Antero, “(ANT(i)SOM)â€, now available as a free download. (ANT(i)SOM) by LuÃs Antero The basis of (ANT(i)SOM) is formed by field recordings with ants at the villages of Piódão (Arganil) and Alvoco das Várzeas (Oliveira do Hospital), at the heart of Beira Serra in Portugal. …
Continue reading “New release: “(ANT(i)SOM)†by LuÃs Antero”
Not to be confused with those lovely primates living in the island of Madagascar – Lemurs in Po Valley could be an oddity for zoologists indeed -, even if the name of this album could be puzzling as Lemuria is also the name of the hypothetical “lost land” where lemurs came from and the first …
The conceptual framework of the play OVO by the Puppet Theare of Porto (Portugal), which started from a sparkling idea by Eric De Sarria, pivots on the contemporary declension of everlasting crisis of mankind and supposedly those abstract and sometimes enticing ideas of progress or evolution that nourish collectivism or alternatively individualism till their gradual …
Episode 109 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, March 6th. The playlist of Futurónica 109 is: Iannis Xenakis, Polytope de Cluny (1972) Florian Hecker, B1 (2010, 3 Track 12â€, eMego) Pita, Untitled (1999, Get Out, Mego) You …
