Pedro Tudela and Miguel Carvalhais (known as @c) are a prolific duo of musicians and sound artists. As founders of the groundbreaking Crónica label, they have performed captivating audiovisual sets on countless occasions since the early 2000s and have continuously produced a series of short-lived installations. Nineteen of these installations are documented and discussed here. …
Author Archives: Miguel Carvalhais
Luca Forcucci’s “Terra” reviewed by Vital Weekly
@C are also the people who run Cronica Electronica, and they just released a new album by Luca Forcucci. Many of the releases on Cronica may have their roots in computer technology, but it is not exclusively devoting its time to that. From Forcucci, we reviewed various releases before (Vital Weekly 1353, 1216, 1071 and 883). ‘Terra’ is a five-part …
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Ilia Belorukov’s “Scattered Underfoot” reviewed by Silence and Sound
Fruit d’expérimentations entre sonorités électroniques et un set-up de percussions diverses, Scattered Underfoot est une oeuvre aux frontières fragiles, amas de conjugaisons sonores et de possibilités soniques. Ilia Belorukov aime jouer avec les turbulences et les moments d’évanouissements temporels, pratiquant l’art de la surprise avec subtilité, inscrivant dans la matière des halos de lumière cicatrisée. Les ambiances de Scattered …
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Matilde Meireles’s “Life of a Potato” reviewed by The Sound Projector
Quite nice field recording cassette by Matilde Meireles…on Life of a Potato (CRONICA 180-2022), she proposes that we have taken the humble potato for granted for far too long and resolves to show us more of its life, as rendered in sound. Her recordings depict the potato growing the ground, and also being roasted and eaten; she managed to …
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Máquina Magnética reviewed by RNE 3 Atmosfera
Máquina Magnética nació del encuentro de cuatro artistas experimentales con prácticas consolidadas tanto en el trabajo individual como colectivo: Gustavo Costa, baterista, percusionista y uno de los líderes del colectivo Sonoscopia, en percusión acústica y electromecánica; Pedro Tudela y Miguel Carvalhais, del proyecto @c y el sello Crónica (conocidos de sobra por nuestros Atmósferos), sobre …
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Ilia Belorukov’s “Scattered Underfoot” reviewed by What’s That Noise?
via What’s That Noise?
Ilia Belorukov’s “Scattered Underfoot” reviewed by Blow Up
New release: Ilia Belorukov’s “Scattered Underfoot”
Crónica starts the year in the best possible way, presenting the first release by Ilia Belorukov in the label. Ilia Belorukov is a musician from Saint Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music, collaborating with local and foreign musicians and performers. Ilia practices an experimental approach to sound extraction …
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Ilia Belorukov’s “Scattered Underfoot” reviewed by Musique Machine
While the pandemic of 2020 changed the lives of everyone on our Earth, many artists used this period of tumult and isolation to create and dive deeper into their psyches to represent this unease and fear as gorgeous pieces of art. Ilia Belorukov is no exception, and he took his normal, home composing routine and …
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Ilia Belorukov’s “Scattered Underfoot” reviewed by African Paper
Der in St. Petersburg lebende Klangbastler und Mehrfachinstrumentalist Ilia Belorukov bringt soeben sein neues Langspieltape mit vier zu Beginn der Pandemie produzierten Stücken heraus. Das Album entstand auf der Basis u.a. von diversen modularen Gerätschaften, Akustikgitarre, Becken, Drums und Drummachines, auch Feldaufnahmen und zweckentfremdete Objekte kamen zum Einsatz. Das Tape erscheint am 10. Januar bei …
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