David Lee Myers, the composer of Reduced To A Geometrical Point, is quick to point out that he is not really a fan of “music for meditation”, although he has noticed that some audio constructions seem to encourage a position of staying in the moment. It is the simple truth of being “reduced to a …
Continue reading “David Lee Myers’s “Reduced to a Geometrical Point” reviewed by Neural”
The first solo release by Morten Riis since 2009 presents his newest endeavours into the broken worn-out world of cassette tapes and modified tape players. Lad enhver lyd minde os om [Let every sound reminds us of] wreathes around our conceptions regarding a sense of togetherness, perishability, the inherent sensuousness of objects and potential poetic statements coupled …
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Øyvind Brandtsegg søler på kjøkkenet. Han tar mjøl, krydder og en del andre kjøkkenprodukter, drysser dem utover en glassplate og setter på strøm. Slikt blir det bråk av. Brandtsegg er professor i musikkteknologi ved NTNU og en nestor i den punkete DIY-glade musikk-avantgarden i Trondheim. Han spiller på «instrumentet» sitt med å bikke fatet i ulike …
Continue reading “Øyvind Brandtsegg’s “Persistent Disequilibrium” reviewed by Ballade”
«Persistent Disequilibrium» is a new sound art project of Norwegian experimental composer-scholar-educator Øyvind Brandtsegg. Brandtsegg devised a set of new musical instruments where finger-mounted piezo contact pickups are used with transducers on vibrating plate-like objects (metals, plastics, wood, ceramics, concrete, glass, bioplastics and even human bones in a living body) to explore intimate resonances by …
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Having seen various videos of Gintas K’s improvisations, involving a keyboard and a dusty old Lenovo ThinkPad running some custom software, it’s apparent that his approach to composition is nothing if not unusual, and it’s matched by the results. His Crónica debut, Lengvai / 60 x one minute audio colours of 2kHz sound was sixteen years ago, …
Continue reading “Gintas K’s “Lėti” reviewed by Aural Aggravation”
Der litauische Klang-, Performance- und Konzeptkünstler Gintas Kraptavičius alias Gintas K bringt dieser Tage ein neues Tape heraus. “Lėti”, das im Litauischen “langsam” bedeutet, enthält elf Miniaturen, gebaut aus filigranen Sounddetails unterschiedlichster Herkunft, die einer ebensolchen Vielfalt an Bearbeitungsstufen unterzogen wurden und in ihrer finalen Gestalt einer großen Wunderkammer gleichen, in der man bei jedem …
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This is my second review of the works of Gintas K, a fascinating and innovative sound artist, born in Lithuania in 1969 and a person who has generated considerable interest. As with the previous album I reviewed, this electronic music work needs a good sound system or headphones and a nice quiet environment to truly …
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We’re proud to release Gintas K’s new album, Lėti, 16 years after Gintas’s first release in Crónica, the now classic Lengvai / 60 x one minute audio colours of 2kHz sound and after several other encounters in compilations, collaborations, and four albums. Lėti, Lithuanian for slow, is a set of 11 short pieces created from recording and improvising …
Matilde Meireles is a recordist, sound artist, and researcher who makes use of field recordings to compose site-oriented projects. Her projects often have a multi-sensorial approach to ‘site’ which draws from her studies and experience in areas such as field-recording, site-specific visual arts and design. Her latest album is an in-depth study of potato in …
Continue reading “Matilde Meireles’s “Life of a Potato” reviewed by Felthat”
Mad Disc est le projet solo du musicien japonais Takamichi Murata, batteur et percussionniste. Impliqué dans plusieurs groupes, dont le sien, il a collaboré avec de nombreux improvisateurs et compositeurs. Dans Material Compositions, il joue non seulement de la batterie et des percussions diverses, mais fait intervenir l’électronique et les synthétiseurs pour retravailler le son. Material Composition 1 commence …
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