I’ll arrive quelquefois, pour un remixeur, que la proximité imposée avec l’univers d’un autre créateur le temps d’un remix appraisse trop courte, que l’envie soit plus fort de continuer lÃmmersion et la fusion des univers au-delà du travail initialement commandé. Il arrive aussi, même si cela est plus rare, que lesdits remixeurs poussent cette envie …
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As edições da Crónica Electrónica têm marcado positivamente o último ano, tanto pela regularidade como sobretudo pela coerência e qualidade dos lançamentos na área da experimentação audiovisual. Dentro do movimentado calendário editorial destaca-se a série Product, uma bem delineada recuperação da lógica split que possibilita a conjugação de duas peças distintas por dois artistas diferentes, …
Continue reading ““Product 02†reviewed by A Puta da Subjectividade”
This album from the experimental Portuguese label Cronica is actually a split disc featuring two separate works, coincidently from the same artist. Ran Slavin is an audio/ video composer and improviser who has previously operated under diverse monikers such as Tonr, Extract, Iran and Rose of Jericho, working with various noise outfits in Israel and …
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Vorbei die zeiten, in denen avantgarde anstrengend und schräg klingen mußte! Beide musiker haben die remixten versionen der 0.000 Cd von Nosei Sakata auf der sich kein hörbares material befand, genutzt, um live, im rahmen eines konzertes beim Goethe Institut in Lissabon, diese aufnahmen herzustellen. In einem ping-pong verfahren spielen sich beide musiker die gleichen …
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Blinding flashes, quick mirages and sad memories seem to be what Ran Slavin builds upon. Here he presents two works, “Tropical agent” and “Ears in water”; both parts very well functioning as “active ambient” material, perfect to be listened during other activities – nevertheless, the care in assembling sounds is total, guaranteeing a stimulating perspective …
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This disc published on the Portuguese Crónica Electronica label, is a collaborative project between the sound artists Paulo Raposo [who runs the Sirr.ecords label] from Lisbon, Portugal and the German Marc Behrens [Raster Noton, Trente Oiseaux, Sirr.ecords] from Darmstadt. This disc has its origins in the CD “0.000” of the Japanese Nosei Sakata, aka *0 …
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Einer dieser remixer war Marc Behrens, mit dem wir schon mal einen der an dieser CD beteiligen Künstler beisammen hätten. Jener war dann vom Ergebnis der Remixarbeiten so begeistert, dass er diese Remixe erneut als Grundlage für einen erneuten Remix hernahm. Irgendwann stiess Paulo Raposo zu diesem kreativen Prozess hinzu, alles steigerte sich immer mehr …
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Au premier abord on a l’impression d’avoir en écoute un long bidouillage électronique ponctué de drones empruntés et lunaires. En fait il faut bien avoir à l’esprit le concept de l’élaboration de ce disque. Une démarche qui se rapproche plus des concepts de l’art ou de la musique contemporaine. Un musique concrète qui fait fi …
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Further Consequences of Reinterpretation is (to put it in a simplistic way) the remix of a remix of a remix of nothing. The starting point for this project was Nosei Sakata’s album 0.000 (which contains only sounds outside the human hearing range), of which Behrens produced a reinterpretative piece titled “>0″ and included on a …
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Questo CD è il frutto di un processo di ‘rielaborazioni a catena’ che, teoricamente, potrebbe protrarsi all’infinito. Il punto da cui tutto è partito è “0.000†di *0 (il giapponese Nosei Sakata) che, stando alle note di copertina, era praticamente prossimo al silenzio assoluto. Sakata aveva chiesto ad altri artisti di reinterpretare quei suoni, n’era …
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