Author Archives: Miguel Carvalhais
Marc Behrens’s “Clould” and “Aiear” reviewed by Nieuwe Noten
De elektronische muziek van Marc Behrens kwam hier niet eerder voorbij, dat terwijl deze uit Darmstadt afkomstige componist / musicus toch al bijna een halve eeuw actief is in het veld van de elektronische muziek, met onder andere meer dan veertig albums op zijn naam. Tevens is hij actief met performances, fotografie en video. Onlangs verscheen bij …
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Bruno Duplant’s “Écouter les Fantômes” reviewed by Nieuwe Noten
Op de Bandcamppagina van ‘Écouter les fantômes’ zegt Duplant over zijn werk: “My music is intended to be narrative and fictional. I do the same in my practice of photography (zie de hoezen van deze albums, red.) and writing. I never try to transcribe reality. This doesn’t interest me in any way. What, on the …
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Matilde Meireles’s “Loop. And Again.” reviewed by Music Map
Matilde Meireles è una sound artist e ricercatrice musicale, con un focus particolare sui field recordings e un gusto per i progetti che mettono al centro i luoghi nei quali vengono realizzati. Considera casa il Portogallo tanto quanto l’Irlanda e l’Inghilterra e da poco è tornata per Crónica Records con “Loop. And Again.”, un lavoro …
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Marc Behrens’s “Clould” reviewed by Audion
Bruno Duplant’s “Écouter les Fantômes” reviewed by Audion
New release: Philippe Petit‘s “Attractive Apesanteur“
It’s new release day, and our last in 2024, introducing Philippe Petit’s “Attractive Apesanteur“, a prelude for a forthcoming release in 2025! Season’s greetings, everyone; see you in January!
Philippe Petit’s “A Divine Comedy” reviewed by Audion
Emiter’s “Repetition and Memory” reviewed by Anxious
Nagrywanie, słuchanie, ruch, rytm. Istnieje wiele śladów, które tworzą nieskończone możliwości łączenia w nowe jakości. Ślady, nagrywanie, czas, częstotliwość. Powtarzanie i pamięć. Alan Burdick pisze, że „Złota era ucha nigdy się nie skończyła (…) Trwa, zasłonięta hegemonią wizualności”, ale „Historia ucha” rozbrzmiewa w zapomnieniu. Marcin Dymiter – muzyk (gra w projektach emiter, niski szum, ZEMITER oraz …
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Simon Whetham’s “Successive Actions” reviewed by Chain DLK
Simon Whetham’s “Successive Actions” is not so much an album as it is a murmuring labyrinth of discarded whispers, a requiem for obsolete machines played on their own brittle bones. In this latest iteration of his “Channelling” project, Whetham transforms the detritus of consumer technology – motors, mechanisms, and malfunctions – into an orchestra of …
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