“Bittersweet Melodies” reviewed by The New Noise

Quello musicale è solamente un aspetto dell’attività creativa di Ran Slavin, artista multimediale israeliano con base a Tel Aviv. Le sue installazioni sono esattamente come potreste immaginarle ascoltando i suoi dischi: luci al neon e paesaggi distopici. Slavin, in ogni caso, nasce proprio come musicista: voce e chitarra del gruppo post-punk israeliano Shalosh Hait e …

“Positions” reviewed by Nieuwe Noten

Martijn Tellinga is wellicht nog het beste te omschrijven met de titel ‘geluidskunstenaar’, want ofschoon hij componist is, schiet de klassieke connotatie bij die titel tekort. Simpelweg omdat Tellinga het allemaal net iets anders aanpakt. Zijn stukken worden steevast niet op het concertpodium gespeeld, veelal zijn er geen partituren en de stukken worden ook lang …

“Bittersweet Melodies” reviewed by RifRaf

Un tour du côté de 2010, embranchement vers les tops de l’année. Tout en haut de l’échelle, là où les espoirs de disques indémodables tentent de préfigurer l’avenir. Elle se dessinait aux sons d’une ambient venue d’Israël, mise en abime par RAN SLAVIN, sous le nom bienvenu de ‘The Mediterranean Drift’. Six ans plus loin, …

“Three-Body Problem” reviewed by RifRaf

Juin, mois des chouchous. En provenance du Portugal, précisément du Théâtre de Marionnettes de Porto. Abonné depuis leur ‘Ab OVO’ de 2014, le duo @C renouvelle l’expérience sur ‘Three Body Problem’ (Crónica, plus que jamais). Les premiers instants sont énigmatiques, le temps de défricher le terrain. De percevoir les acquaintances avec Peter Rehberg, de se …

New in the Corollaries series: Fernando Godoy’s “Is the space empty, only to be filled with the energy of this voice?”

This is the fifth release in the series Corollaries, that compiles works resulting from Active Crossover: Mooste, a cross-cultural collaborative residency curated by Simon Whetham and hosted by MoKS, in April and May 2015. All works are composed from material compiled in a collective archive during the project. This piece was made using field recordings …

“Bittersweet Melodies” reviewed by RNE3 Atmosfera

Bittersweet Melodies supone su undécimo álbum, un trabajo que se sumerge los atardeceres ambient, el negro Oriente Medio, zonas tranquilas con atmósferas utópicas o ritmos low-fi muy fracturados. Encontramos en este Bittersweet Melodies material inédito disperso por discos duros relacionadas con una publicación con Mille Plateaux hace 12 años, justo antes de su inesperado cierre. …

“Bittersweet Melodies” reviewed by Aural Aggravation

Given Ran Slavin’s broad artistic pursuits, which span video installation, sound and film, and his far-reaching interests which manifest in the exploration of the tensions between opposites, Bittersweet Melody is something of a summation of his preoccupations. Just as ‘bittersweet’ is one of those words that encapsulates contradiction and juxtaposition, so Slavin’s latest album is …

Futurónica 167

Episode 167 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, May 27th. The playlist of Futurónica 167 is: @c, 111 (Bacchanale) (2016, Three-Body Problem, Crónica) @c, 112 (Pace) (2016, Three-Body Problem, Crónica) @c, 113 (Advent) (2016, Three-Body Problem, Crónica) …

New release: @c’s “Three-Body Problem”

Three-Body Problem is @c’s sixteenth full-length album, and their eighth in Crónica. Like the previous Ab OVO, this album started as a soundtrack for the puppet theatre play Agapornis, premièred by the Teatro de Marionetas do Porto in October 2014, and inspired in the life and works of Anaïs Nin. Three-Body Problem was (re)composed after …