What is the role of wilderness in the imagination? Is wilderness still wild if it is walled? In a preserve, who are the captors, and who are the captives? These are only a few of the questions asked by Philip Samartzis and Eric La Casa as they record the soundscape of South Africa’s Kruger National Park. The …
Category Archives: Reviews
Mise_en_Scene’s “-O-R-G-A-N-†reviewed by Dark Entries
Mise_En_Scene is het project van de Israëlische geluidstechnicus Shay Nassi, alwaar hij zijn opgedane vaardigheden gebruikt om op subtiele wijze elementen van minimalisme en noise in zijn muziek te gieten. De streepjes in de titel van zijn laatste werk -O-R-G-A-N- lijken te beduiden dat hij het woord wil ontleden. Zo is het Engelse woord ‘organ’ …
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Philip Samartzis & Eric La Casa’s “Captured Space†reviewed by Chain DLK
“Captured Space†comprises two ambient pieces built up from field recordings made over the space of ten days in and around the Kruger National Park in the corner of South Africa. Individual recordings have been layered up to create something denser than real life, but still essentially realistic. It’s a sonic portrait that, unsurprisingly, is …
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@c’s “Espaço, Pausa, Repetição†reviewed by The Sound Projector
Our Portuguese double act @c (Pedro Tudela and Miguel Carvalhais) are here with a new cassette called Espaço, Pausa, Repetição (CRONICA 150-2019). This one arose from an installation project which they did at the University of Porto. Apparently over fifty creators contributed about 300 “sound objects†to this project, and if @c are using these as the basis for today’s …
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Francisco López & Miguel A. GarcÃa’s “Ekkert Nafn†reviewed by The Sound Projector
On Ekkert Nafn (CRONICA 151 / TRONICDISEASE TD-3), two Spanish sound artists Francisco López and Miguel A. GarcÃa collaborate on one of those sound-file swapping projects. Two long pieces are the result, apparently using the same source materials – there’s talk of field recordings, mechanical devices, digital transformation. López extends his for 31:53 and in terms of his ongoing no-titles-for-me-thanks project, he’s …
Mise_en_Scene’s “-O-R-G-A-N-†reviewed by Blow Up
Mise_en_Scene’s “-O-R-G-A-N-†reviewed by Rockerilla
Philip Samartzis & Eric La Casa’s “Captured Space†reviewed by Vital Weekly
Now, here’s a name that I haven’t heard in some time. Philip Samartzis was quite active some fifteen to twenty years ago as what was then called a laptop artist. Funnily the last time his name appeared in these pages, back in Vital Weekly 675, was with work also recorded with Eric La Casa. That was a …
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Haarvöl + Xoán-Xil López’s “Unwritten Rules for a Ceaseless Journey†reviewed by Kathodik
Il trio sperimentale portoghese Haarvöl (Pereira / Faria / Vieira) e il sound-artist, field recorder galiziano Xoán-Xil Lopez, in “Unwritten Rules For A Ceaseless Journeyâ€, documentano una commissione per la commedia “Revoluções†del coreografo Né Barros.Tre movimenti, rappresentazione del tempo che agisce: passato/presente/futuro (utopia/realtà /trauma).Potenti e severe folate di suono metallico/dronante, cupo e incombente, denso di particolari e risuonante all’interno di micro movimentazioni organiche.Nulla …
Francisco López & Miguel A. GarcÃa’s “Ekkert Nafn†reviewed by Musique Machine
Roger BattyEkkert Nafn finds two respected Spanish sound artists utilizing & manipulating the same selection of sound materials- taking in field recordings & electrical/ mechanical devices- to create two thirty-minute tracks, which highlight both parties distinct way of sound-working.The artists are here Francisco López- a Madrid sound artists/ field recordist who’s been active since the mid-1980s, creating a large …