Why do so few improvised recordings feature vocals? Here’s a theory. Part of improv’s appeal is the vulnerability of the artists involved. On-stage or in-studio, it requires a degree of self-assuredness that few of us can muster. This is what’s so often misunderstood about improvisational performance. The absence of written music does not make it …
Continue reading “SÃria’s “Boa-LÃngua†reviewed by The Moderns”
So wie einem die besten kreativen Gedanken oft beim Gehen oder in der Badewanne kommen, entstehen die Releases von Sängerin Diana Combo alias SÃria meist als Nebenprodukte kleinerer Arbeiten, die ganz unerwartet ein Eigenleben erhalten. So wie sich ihr erstes Album aus einer Auftragsarbeit heraus verselbstständigt hatte, ist “Boa-LÃngua†das Resultat einer der Stimmübungen, die …
Continue reading “SÃria’s “Boa-LÃngua†reviewed by African Paper”
‘Boa-Lingua’ is the follow-up to ‘Cuspo’ (see Vital Weekly 1151). Siria is the work of Diana Combo and her main instrument is the voice, in combination with vinyl records, field recordings “and other sound sources”. The press release also mentions “Boa-LÃngua was made from recordings of practice sessions that were not originally intended to be …
Continue reading “SÃria’s “Boa-LÃngua†reviewed by Vital Weekly”
En el mundo de las grabaciones de campo el australiano Philip Samartzis junto al francés Eric La Casa trabajaron en el Parque Nacional Kruger ubicado al noreste de Sudáfrica. Allà Eric La Casa y Philip Samartzis estuvieron realizando registros de campo durante diez dÃas para el álbum “Captured Spaceâ€.Philip Samartzis es un artista sonoro con …
Continue reading “Philip Samartzis & Eric La Casa’s “Captured Space†reviewed by Loop”
What is the role of wilderness in the imagination? Is wilderness still wild if it is walled? In a preserve, who are the captors, and who are the captives? These are only a few of the questions asked by Philip Samartzis and Eric La Casa as they record the soundscape of South Africa’s Kruger National Park. The …
Mise_En_Scene is het project van de Israëlische geluidstechnicus Shay Nassi, alwaar hij zijn opgedane vaardigheden gebruikt om op subtiele wijze elementen van minimalisme en noise in zijn muziek te gieten. De streepjes in de titel van zijn laatste werk -O-R-G-A-N- lijken te beduiden dat hij het woord wil ontleden. Zo is het Engelse woord ‘organ’ …
Continue reading “Mise_en_Scene’s “-O-R-G-A-N-†reviewed by Dark Entries”
“Captured Space†comprises two ambient pieces built up from field recordings made over the space of ten days in and around the Kruger National Park in the corner of South Africa. Individual recordings have been layered up to create something denser than real life, but still essentially realistic. It’s a sonic portrait that, unsurprisingly, is …
Continue reading “Philip Samartzis & Eric La Casa’s “Captured Space†reviewed by Chain DLK”
Our Portuguese double act @c (Pedro Tudela and Miguel Carvalhais) are here with a new cassette called Espaço, Pausa, Repetição (CRONICA 150-2019). This one arose from an installation project which they did at the University of Porto. Apparently over fifty creators contributed about 300 “sound objects†to this project, and if @c are using these as the basis for today’s …
Continue reading “@c’s “Espaço, Pausa, Repetição†reviewed by The Sound Projector”
