Tag Archives: 048

“Passeports” reviewed by Terz

Auch hier geht es um den Konnex zwischen Audio und spezifischen Räumen. Die 7 Stücke bilden sich um field recordings aus konkreten französischen Orten, in denen es um Transport geht: Bahnhöfe, Häfen, Parkplätze und Transit-Areale. Die Klangerfahrungen werden verdichtet und in Innenräumen zu einem Ambient verdichtet, der Fragen nach Raum und Verortung von Klang stellen […]

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“Passeports” reviewed by Musique Machine

2010 saw the release of Mathias Delplanques’ Passeports, a study in the sounds of transportation. Using a combination of field recordings of various transit (harbors, planes and train stations) woven together with various organic, electronic and domestic sounds; Delplanque composes a hymn to movement. The seven pieces represented here are Passeport 1 through 7; each […]

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“Passeports” reviewed by His Voice

Jízda vlakem je pro mnoho cestujících p íjemné turistické povyražení, pro jiné spoluob any zase denní šedivá rutina. Specifické zvukové prost edí, se kterým jsou lidé konfrontováni b hem jízdy i nutných p estávek v nádražních prostorách, si vzal na paškál na své poslední desce francouzský hudebník Mathias Delplanque. Ten ješt p ed t emi […]

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“Passeports” reviewed by Ondarock

Dopo le “Parcelles”, il francese Mathias Delplanque estremizza la sua tecnica mista di field recordings “narrativi” e ambient digitale nei “Passeports”, un’eccezionale prosecuzione post-cosmica degli “Airports” di Brian Eno. Il primo “Passeport” calibra il tono delle sue “cosmicomiche”. Una scenografia sia subliminale che ipnotica (o, meglio ancora, onirica) espone con coerenza le possibilità liriche della […]

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“Passeports” reviewed by Blow Up

Molti sono i punti a favore de Mathias Delplanque all’analisi ravvicinata del sua nuovo album “Passeports”. Innanzittuo l’autore francese appare assai abile nella documentazione e nell’elaborazione dei materiali che costituiscono la struttura portante per i sette segmenti dell’album (si tratta di registrazioni sul campo relative all’ambito del trasporto: stazioni, porti, parcheggi e altre zone di […]

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“Passeports” reviewed by Cyclic Defrost

As the title implies Passeports by Matias Delplanque is concerned with geography, particularly locis of transport – train stations, harbours, parking lots – in the cities of Nantes, Lille and Dieppe, France. Delplanque works by processing field recordings from these locations, softening them into gauzy, cushioned blurs, identifiable traces peeking through the haze. Elements of […]

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“Passeports” reviewed by RifRaf

Ami lecteur, toi qui apprends par coeur les articles de RifRaf, tu n’as pas oublié qu’en juin dernier, nous nous étions enthousiasmes pour ‘Circonstances / Variations 1-4’ – les très belles relectures dub que Mathias Delplanque avait signée d’un de ses titres lorsqu’il se cache sous le pseudo de Lena. allons droit au but, le […]

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“Passeports” reviewed by Drowned in Sound

Composed from field recordings collected in transport-related zones around France – harbours, car parks and train stations – Mathias Delplanque’s album traffics in a dense ambience that tends towards the minatory, pointing up the uncertain, interstitial nature of transit. ‘Passeport 1 (Nantes)’ rolls out corrupted foghorn calls one over the other, with rattling train carriages […]

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“Passeports” reviewed by Etherreal

Après les Circonstances de Lena et les Parcelles de Mathias Delplanque tous deux publiés en début d’année sur son propre label, le Français enchaînait avec ces Passeports sortis en partenariat entre Bruit Clair et notre petit chouchou Crónica. L’album est composé de sept pièces simplement numérotées de Passeport 1 à Passeport 7, avec à chaque […]

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“Passeports” reviewed by Dark Entries

Deze Passeports is een intense plaat. Dit komt zowel door de muziek zelf als door de modus operandi van de artiest en zeker ook door de associaties die de muziek teweeg bracht. Enige verduidelijking. Delplanque beschouwt zijn werkstukken als auditieve paspoorten van de plaatsen waar hij zijn veldopnames gemaakt heeft; zij het nu -de hanvens […]

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