Vacuamoenia’s “Panphonia” reviewed by A Closer Listen

Seeing, goes the theory, necessarily modifies what is being seen. That’s not even considering the effects of perspective, which is to say the mental articulation of meanings and associations in a particular language about whatever’s under observation. If field recording could be said to be in large part about enjoying the silence of the world, …

Monty Adkins’s “Moeror” reviewed by Ambientblog

With its 21’27” length this is not a full Monty Adkins album, but we will not complain about that – especially since Atkins and Crónica offer this single track EP as a free download (as they call it themselves, but I prefer Name Your Price and suggest to leave a donation to the artist and …

New release: Vacuamoenia’s “Panphonia”

Panphonia is the sound of the everything, a circular whole that comes out and returns in the reality that generated it. Panphonia is an electro-acoustic composition based on field recordings of a particular type of abandoned soundscape: the rural villages built during fascism in Sicily, the Borghi; the composition is born to consider as demiurgical …

Simon Whetham’s “Against Nature” reviewed by Oro Molido

Para la realización de las bases sonoras de estas grabaciones, Simon Whetham se trasladó durante los meses de octubre a noviembre de 2013 a varios lugares de Noruega. Against Nature está dividido en cinco partes donde se explora el rango de frecuencias que va desde lo más extremo (parte 1), pasando por las bajas frecuencias …

Emmanuel Mieville’s “Juryo: Durée de la vie de l’ainsi-venu” reviewed by Oro Molido

Afincado en la ciudad de París, Emmanuelle Mieville es un artista sonoro que trabaja en el ámbito de las field recordings que posteriormente mezcla y transforma hasta convertirlas en obras electroacústicas donde se explora la geografía del lugar. Así, en Juryo nos traslada a lugares remotos y sagrados. Desde el Monasterio Copan en el Tibet, …