“Meubles” reviewed by Kinda Muzik

Meubles
Arturas Bumšteinas leeft en werkt. Zo stelt hij het in zijn biografie. Dat betekent in zijn geval vooral niet stil zitten. Alsof zijn laatste ademtocht er nu al van af lijkt te hangen, produceert hij de ene compositie na de andere of richt hij installaties in en worden werken opgenomen in tentoonstellingen. Meubles nam Bumšteinas op met het door hem opgerichte Work and Day Ensemble waarin hij zelf elektrisch orgel, sampler en fluit hanteert en verder piano, percussie, cello, viool, saxofoon, trompet en gitaar te horen zijn.

Stel jezelf de vraag: “Als muziek meubilair zou kunnen zijn, welk meubelstuk zou ze dan zijn?” Min of meer zo zou je de grondidee en daarmee ‘compositie’ van de hand van BumÅ¡teinas kunnen omschrijven. Met tien medespelers improviseert hij drie lange stukken bijeen. Iedereen geeft in samenspel haar of zijn interpretatie van meubilaire klank ten beste. Meubles is dan ook allesbehalve één vastomlijnd stuk, als bijvoorbeeld een Piet Hein Eekstoel alleen in een spierwitte galerie. Het is ook geen Gesammtkunstwerk zoals gekend van de totaalinrichtingen van de hand van iemand als Charles Rennie Mackintosh.

Meubles kan druk zijn als een volle IKEA-showroom, maar ook de romantiek van een enkel erfstuk met specifieke emotionele betekenis voor de geest halen of het bijna elementair basale van een bed als zeer multifunctioneel meubelstuk. De elf muzikanten kunnen leegte verklanken, maar ook behaaglijke warmte. Meer overdrachtelijk neigt het drieluik stukken naar het ‘behang’ dat ambient ook kan zijn, net niet aanwezig. Tegelijk richt Meubles de ruimte wel degelijk en nadrukkelijk in, met zelfs een blik naar buiten, voor zover een raam een meubelstuk is: richting de wereld van de verbeelding in al dan niet mijmerende gedachten. Hoe je het ook wil horen (en daarmee eventueel zien), het is goed toeven in Huize Works and Day Ensemble. Sven Schlijper

via Kinda Muzik

“eins bis sechzehn” reviewed by Helly Cherry

eins bis sechzehn
Većina izdavača koji drže do svog imena, potrudiće se da prodaju gotov proizvod vizuelnim putem tj. impesivno uradjenim pakovanjem samog izdanja.Ponekad se dogodi da čak i samo pakovanje bolje izgleda nego sadržaj nosača zvuka. Takvom nebrigom o samom konzumentu zvuka, izdavači postepeno gube kupce i interesovanje i izdavačka kuća propada. Kada je ovo izdanje stiglo u moje poštansko sanduče, najviše sam se plašio da ću nakon slušanja prve pesme izgubiti volju da preslušam ceo kompakt disk, ali srećom, ovaj put to nije bio slučaj.

Anti Matter Plant, Chronica i Kunsthochschule für Medien Köln su se svojski potrudili oko svega, počev od kvaliteta samog omota, do profesionalno uradjenog kompakt diska sa luksuznom štampom. Buklet sadrži nesvakidašnju kolekciju fotografija Julia Weinmann, vizuelne umetnice cije su fotografije uglavnom inspirisane destrukcijom. Za audio doživljaj potrudio se Ephraim Wegner, avangardni umetnik koji je upotpunio vizuelni deo svojim eksperimentima sa otpadom, field recordingom i drone sekvencama koje su najverovatnije stvorene pomoću računara. Interesantna je činjenica da su Julia i Ephraim sav materijal fotografisali i snimili u nekoliko napuštenih hotela i da većina zvuka koji su proizveli potiče od staklenih, plastičnih i metalnih elemenata koji su nekada krasili ove hotele. Sasvim je sigurno da će ovakvo izdanje verovatno smetati većini konzumenata standardnih muzičkih pravaca, ali će sigurno zaokupirati pažnju pojedinaca koji bi želeli da čuju nešto avangardniju muzičku formu. Đorđe Miladinović

via Helly Cherry

Futurónica 99

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Episode 99 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, October 18th.

The playlist of Futurónica 99 is:

  1. Arturas Bumšteinas, HSZCZ (2013, Meubles, Crónica)
  2. Arturas Bumšteinas, Gwizdały (2012, Jakov & Gwizdały, Crónica)
  3. Arturas Bumšteinas, DAVID (2013, Meubles, Crónica)

You can follow Rádio Zero’s broadcasts at radiozero.pt/ouvir and Rádio Manobras at radiomanobras.pt.

New release: “EP” by Lemures

EP
Crónica is proud to present Lemures’ first release in its catalogue, the two-track “EP”, part of a diptych with the upcoming LP “Lemuria”.

  1. IV (06:05)
  2. V (10:12)

Composed by Giovanni Lami and Enrico Coniglio. Mastered by Miguel Carvalhais. Illustration by Dead Meat.

Giovanni Lami and Enrico Coniglio work in electroacoustic music, field recordings and noise research, combining attitudes of each field.

“…since Man is part of the nature, since his personal and social life are still a natural phenomenon — like a flower’s growth or life in ant’s or bee’s societies — there’s not any reasons why, shifting from a flower to the human being, from a beaver’s village to a modern city, we must leave the method serves us so good till that moment, trying to find another into metaphysic’s arsenal” (Pëtr Kropotkin, 1913).

Landscape’s identity is made by so called “invariants” that could be geological, environmental, historical, architectural, etc, but landscape is a living thing, it’s dynamic not static, so it could be better speaking about “variants”, things that change, because the landscape is made by transformation processes that came by interactions between natural and anthropic actions.

Lemures melts, crushes, pushes, or throws away only field recordings, processed or not.

You can download “EP” as AIFF or MP3 files directly from Crónica and free of charge, or from Crónica’s bandcamp page in a variety of formats.

“Queendom Maybe Rise” reviewed by Le Son du Grisli

Queendom Maybe Rise
Outre une apparition sur l’excellentissime HD de son compatriote Atom™, Marc Behrens est surtout connu pour son œuvre électroacoustique, qu’il développe depuis plus de vingt ans avec une constance qui n’a d’égale que son inifni sens de la recherché. Son nouveau bébé, Queendom Maybe Rise, ne fait nullement exception à la règle, bercé qu’il est entre field recordings ovipares et traitement numérique soigné.

En de nombreux instants, on a l’impression d’assister à un documentaire animalier sur le monde des airs et/ou de l’inifiniment petit mis en ondes par Nicolas Bernier, avant qu’un violent orage ne vienne tout bouleverser ; à d’autres instants, on retrouve les excellents échos de Thomas Köner, voire de Jana Winderen, pour quarante-et-une minutes de bravoure captivante. Second et dernier titre, Quuendom repose entièrement sur la voix de Yoko Higashi (déjà aperçue chez Lionel Marchetti), directement ou régénérée digitalement telle la rencontre entre Luciano Berio et Machinefabriek. Pourquoi se priver ?

Fabrice Vanoverberg

via Le Son Du Grisli

Futurónica 98

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Episode 98 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, October 4th.

The playlist of Futurónica 97 is:

  1. Ran Slavin, Pulse Magnetic (2013, Showing Light, False Industries)
  2. Ran Slavin, Financial Warfare and Psychological Sedatives (2010, The Mediterranean Drift, Crónica)
  3. Ran Slavin, Girl in Water (vocal by Lin Chalozin Dovrat) (2004, Tropical Agent / Ears in Water, Crónica)
  4. Ran Slavin, Wayward Initial (2007, The Wayward Regional Transmissions, Crónica)
  5. Ran Slavin, Towards the Light (2013, Showing Light, False Industries)
  6. Ran Slavin, DAT Beats (2007, The Wayward Regional Transmissions, Crónica)
  7. Ran Slavin, Piano (2004, Tropical Agent / Ears in Water, Crónica)

You can follow Rádio Zero’s broadcasts at radiozero.pt/ouvir and Rádio Manobras at radiomanobras.pt.

New release: “Meubles” by Arturas Bumšteinas

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Crónica is delighted to present the new release of Arturas Bumšteinas, “Meubles”, performed by the Works & Days ensemble.

  1. HSZCZ (17:05)
  2. LLULL (20:06)
  3. DAVID (13:20)

Recorded and mixed by Arturas Bumšteinas on various portable studios, 2011-2013.

Performed by the Works & Days ensemble:

  • Arturas BumÅ¡teinas (1, 2, 3) — electric organs, sampler, flute
  • Ilia Belorukov (1, 2), Maarten Ornstein (3) — saxophones
  • Kamil Szuszkiewicz (2) — trumpet
  • Lina LapelytÄ— (1), Tadas Žukauskas (2) — violins
  • Anton Lukoszevieze (2) — cello
  • BirutÄ— AsevičiÅ«tÄ— (2) — piano
  • Piotr Bukowski (1), Bartek Kalinka (3) — guitars
  • Hubert Zemler (2, 3) — percussion

Arturas Bumšteinas
If music could be furniture, which piece of furniture it would be?

Anton Lukoszevieze
If music could be furniture it would be an ornamental chaise longue, covered with purple velvet and with intricate carved wooden legs. I would lie on this chaise longue for hours, sipping green tea and caressing a meek and mild Ocelot.

Hubert Zemler
If music was furniture it would be something that isn’t essential for living, but essential for being a human. Something that could be easily dispensed of, but you would miss it. Something that contains love, hate, tears, happiness, sadness, calmness, enthusiasm, boredom, amusement or any emotions you can feel. Something which sometimes contains nothing. Something which not everybody needs or wants. I don’t know… Maybe music would be a wine cabinet?

Bartek Kalinka
I would like music to be a stove. Because it’s a place where cooking is done, so it’s an alchemical altar, where substances are transferred by the music’s heat.

Kamil Szuszkiewicz
A bed. Definitely. Human civilization has began when people invented some kind of bed (no, not a circle; circle was much later). We are born in a bed, we die there, we sleep, fuck, lay there looking up to a ceiling and pondering. The rest of a lifetime seems to be meaningless interruption. I want music to be like that: ancient, basic, necessary (in a way).

Birutė Asevičiūtė
Music is not material thing, so it’s hard to materialize it… But… if music could be a furniture, it could be “pufikas” (tuffet with removable top). You can put anything inside, but nobody knows, what’s really inside it… It can have many segments inside, but it can be empty as swell. And you don’t feel you really have this kind of furniture (music), it exists somewhere, beside you or very near. It can have different forms, many segments or just “to be”.

Tadas Žukauskas
If music could be furniture it would be a window. Medium between myself and the Images of the World or the Imagination itself.

Piotr Bukowski
Billy Bookcase by IKEA — basic furniture in every home. You can use it it to store whatever you need, it uses space effectively by accommodating various items in a minimum of space. Known all over the world, flag product of IKEA, cheap and practical.

Ilia Belorukov
A couch. One may sit or sleep on it; one may also unfold it to get more space. It is not a univocal piece of furniture, it has multiple functions. The couch reminds me of the fact that music is just as multi-faceted, and the perception of sound largely depends on the listener – namely, his or her wishes/moods/needs. If you want to lie down, here you go; if you need more seats for guests – just move the couch closer to the table. One can immerse oneself in a music piece or merely use it as a background.

Maarten Ornstein
Furniture? Well, a bed I suppose. It’s nice to lie down in some good music.

Lina LapelytÄ—
If i could be music and if this music could be furniture then with no doubt i would prefer to be music & furniture than just to be furniture or just to be music. If i could be music, furniture and a woman — that would really please me! On the other hand — i would probably annoy somebody if i am a sofa or dinning table that always produces a certain tune.. How boring it would be to have me around! I probably would end up being thrown away… and the good thing about that is that undoubtedly i would travel to a new house – somebody would be very happy to find a musical table or sofa that maybe is also a woman. So to be clear – i would like to be a little drawer in the closet – so i am only audible when wanted. Did i get the question right?

You can download “Meubles” from Crónica’s bandcamp page, from Boomkat or other selected retailers in a variety of formats!

Shay Nassi releases “syn3rgy” as ket3m

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ket3m are Shay Nassi (aka Mise_en_Scene) and Tom Kemeny (aka Darmock) currently located in Tel Aviv, Israel. They joined together for a side-project to explore the boundaries of sound and express themselves together as one, each contributing his own very-unique techniques and perspective. They now release “sy3rgy” as a 3″ mini-CDr in a limited edition of 75 copies.

More info at ketemta@gmail.com