Tag Archives: Lawrence English

“Loud Listening” reviewed by Fluid Sonic Fluctuations

By Miguel Carvalhais | Published: 23 January 2019

It’s an exciting time, we’re only a month into 2019 and I’ve already received quite a lot of great releases that I’ve reviewed recently. Now it’s also time to introduce new series on this blog as well as continue with the first 2019 selection of music on Fluid Sonic Fluctuations (with my updated semi-random selection […]

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Lawrence English speaks and performs in Porto

By Miguel Carvalhais | Published: 25 November 2014

On Thursday, December 4, Lawrence English will speak of his artistic practice at FBAUP, in Porto and, later on the same day, he will perform at Passos Manuel. Lawrence English has worked at the nexus of music, field recording and listening for over a decade. In that time he has sought to develop an array […]

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Futurónica 72

By Miguel Carvalhais | Published: 4 October 2012

Episode 72 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, October 5th. The playlist of Futurónica 72 is: Wang Changcun, King Of Image 1995 (2006, The Mountain Swallowing Sadness, Sub Rosa) @c, 89 (2012, Re:Fujaco, Galaverna) Lawrence English, Ghost […]

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“Loud Listening” reviewed by Rockerilla

By Miguel Carvalhais | Published: 1 June 2012

Si chiama AISP (Archivio Italiano Dei Paesaggi Sonori) ed è un iniziativa firmata da Alessio Ballerini e Francesco Giannico per promuovere in Italia l’ascolto dell’ambiente che ci circonda. Comunemente definito ‘soundscape’, questo tipo di approccio sonoro viene utilizzato da parecchi artisti che si occupano di elettronica ma non solo, sfruttando field recordings o noises di […]

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“Loud Listening” reviewed by Ambientblog

By Miguel Carvalhais | Published: 22 May 2012

A lot ambient-electronic have a distinct industrial feel: the hum of giant machines and installations, soothing at some times, ominous – or even threatening – at other. Quiet and reassuring when distant, but loud and aggressive when close. Though this may not be exactly what you expect of “ambient music”, it definitely is part of […]

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New release: “Loud Listening”

By Miguel Carvalhais | Published: 1 May 2012

Four Italian soundscape artists worked in four ailing Italian industrial sites. Their work aimed to capture the strength of industrial noises, providing a “loud experience” of mechanical hums, natural drones, metal squeaks, waves of steam and the sounds of raw materials, simultaneously proposing to reflect over the meaning and the high social value of industries […]

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Soon in Crónica: “Loud Listening”

By Miguel Carvalhais | Published: 23 April 2012
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“Acute Inbetweens” reviewed by Touching Extremes

By Miguel Carvalhais | Published: 9 January 2012

Long-distance partnerships are a dime a dozen these days, not infrequently the fruits of internet intimacies (…) born around the coordinates of “unknown nonentity kisses the ass of a prominent entity until he/she agrees to publish something together and the unknown nonentity becomes a recognized one”. Lawrence English and Stephen Vitiello met for real – […]

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“Acute Inbetweens” reviewed by Peek a Boo

By Miguel Carvalhais | Published: 1 August 2011

In other reviews, I have already written that in the creation and perception of soundscapes, the step to video art or other visual art is not that big. This has to do with the intangible, sometimes the ethereal, often the captivating effect of music. This could be called the musical power of abstraction. Music is […]

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“Acute Inbetweens” reviewed by Le Son du Grisli

By Miguel Carvalhais | Published: 22 June 2011

Architecte majeur de la scène electronica des dix dernières années, l’Australien Lawrence English ne cesse de nous passionner, tant et plus, Qu’il aiguise ses lames de patron du label Room40 en hébergeur impliqué des excellent(issime)s DJ Olive, Tim Hecker et Tujiko Noriko, qu’il diffuse ses oeuvres frémissantes au contact des maisons 12K ou Touch, le […]

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