“Transmissions” reviewed by The Sound Projector

This project took place in Cholet (in the Maine-et-Loire department, France) between 2008 and 2014, associating an artist, Mathias Delplanque, with students in a technical school there. Some of the sounds were recorded in the local textile museum (Cholet has a tradition in this industry, specifically in the making of handkerchiefs). Resonances and rhythmic regularity …

“Transmissions” reviewed by Blow Up

Con una discografia a proprio nome di elevato pregio, preziosi “La Plinthe”, “Parcelles 1-10” e “Passports”, Mathias Delplanque in “Transmissions”, alla maniera che fu di Jean-Marc Vivenza, registra il canto di macchine in azione. Pur lungi dal suggerire visione postmoderna invariabilmente catastrofista, Mathias coglie l’armonia meccanica non come esplicitazione di una inesorabile e infallibile potenza …

Futurónica 132

Episode 132 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, January 23rd. The playlist of Futurónica 132 is: Drøp, Tensegrity (2014, Quark: How Does the Invisible Sound?, Farmacia 901) Franz Rosati, Symmetry Breaking (2014, Quark: How Does the Invisible …

New podcast: Now Cut + Emmanuel Mieville

Now Cut is the french duo of Stéphanie Briand and Phiippe Desclais, focusing on self made instruments, of metal and prepared guitar, filers, oscillators, contact microphones. Paris-born composer Emmanuel Mieville studied sound engineering in a film school and musique concrète at the famous GRM. He has previously released “Concret-Sens“ in Crónica. Download here or subscribe …

Futurónica 131

Episode 131 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, January 9th. The playlist of Futurónica 131 is: Stephan Mathieu, Second Dream (2014, Nachtstücke, Schwebung) Stephan Mathieu + Federico Durand, Third Dream (2014, Nachtstücke, Schwebung) You can follow Rádio …

“Residual Forms” — one of the 10 best EPs from 2014 by 5:4

Monty Adkins’ work continues to plough increasingly deep furrows into material at the meeting point of ambient and experimental electronics. The results are uniformly beautiful, and this short piece is no exception, slow shifting chords and clouds matched by episodes of more blistered music, positioned with Adkins’ typically unerring skill so as to draw out …