Francisco López & Miguel A. García’s “Ekkert Nafn” reviewed by Badd Press

Artists who produce instrumental music – or to put it more precisely, music that doesn’t feature vocals – are often asked how they decide on titles. At the risk of sounding elitist, that always struck me as one of the dumber questions in music journalism. Sure, not all music lends itself naturally to a pithy …

Luís Antero & Darius Čiuta’s “Sound” reviewed by Neural

Just two tracks, “G”, twenty minutes long, and “S”, thirty-three minutes and thirty-six seconds. It’s this the debut of the duo Luís Antero e Darius ÄŒiuta for Crónica. The album is the result of a very personal exploratory process that seems to question the intimate and abstract nature of the sounds. As a result, the …

Haarvöl + Xoán-Xil López’s “Unwritten Rules for a Ceaseless Journey” reviewed by Music Map

Gli Haarvöl sono una formazione elettronica e sperimentale portoghese che nel 2012 ha avviato un progetto ambizioso, con il quale tentano di esplorare le proprietà del suono per creare ambientazioni cinematiche. Qualche mese fa, il trio ha collaborato con Xoán-Xil López, musicista e sound artist originario della Galizia, anch’egli già impegnato in alcuni progetti sperimentali. …

@c’s “Espaço, Pausa, Repetição” reviewed by Silence and Sound

L’abstraction en musique, n’est pas une inconnue dans l’oeuvre de Miguel Carvalhais et Pedro Tudela aka @c, tant chaque album tire son sens de l’environnement dans lequel il se déplace, virtuellement ou réellement à travers les enceintes, créant des zones mobiles au croisement du conceptuel et de la poésie. Conçu pour une exposition à la Faculty of Fine Arts de …

New release: Francisco López & Miguel A. García’s “Ekkert Nafn”

The collaborative album Ekkert Nafn was composed from sound materials collected by Francisco López and Miguel A. García. Some of these materials were derived from field recordings, others from electrical and mechanical devices, all were manipulated with digital tools to varying degrees. After compiling the collection of sounds, both artists proceeded to compose independently, arriving to pieces …

Isabel Latorre & Edu Comelles’s “For Pauline” reviewed by The Sound Projector

Minimalist accordion tones from Isabel Latorre and Edu Comelles on their cassette tape For Pauline (CRÓNICA 144-2018). As readers may have guessed, it’s inspired directly by the music of Pauline Oliveros, herself now regarded as one of the “greats” of American minimalism and feted for her innovative empowering ideas and sensitive performing skills. The work was intended as a realisation …

New release: @c’s “Espaço, Pausa, Repetição”

Pedro Tudela and Miguel Carvalhais have been working as @c since 2000, publishing several albums (some of which in Crónica), composing music for audiovisuals and theatre, performing extensively, and creating site-specific sound installations. Having been invited to develop a new work for the Exhibitions Pavilion of the Faculty of Fine Arts of the University of Porto, to …

Haarvöl + Xoán-Xil López’s “Unwritten Rules for a Ceaseless Journey” reviewed by Fluid Sonic Fluctuations

Welcome to the 17th review in the Fluid Label Focus series on the Crónica label. Today I have for you another recent release on the label that I finally got to this month. This is the new collaborative album by Portuguese experimental group Haarvöl and field recordist and sound artist Xóan-Xil López, titled Unwritten Rules …