Ran Slavin è un virtuoso del laptop, che si è ormai imposto nella cultura musicale contemporanea come uno strumento a sé a tutti gli e etti. E etti che nel caso della musica di Slavin si palesano in una manciata di pezzi techno dove a farla da padrone è un’ambient “sporca†e spuria nella quale …
Continue reading ““Digital Junkies in Strange Times†reviewed by Rockerilla”
La Cronica non delude mai con le sue pubblicazioni e anche questa volta fa centro con la cassetta dell’artista spagnolo Durán Vázquez, autore di tracce sperimentali reperibili ovviamente anche in digitale. Il galiziano utilizza software di Windows, vecchi plug-ins degli anni 90, campionamenti da vecchi videogame anni 80 e varia strumentazione per un lavoro la …
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Intuited Architectures by Graeme Truslove
This is another chapter in our research project of Ran Slavin’s music, where we are listening to The Wayward Regional Transmissions. Artwork of the album is very original, we are looking down to the desert’s surface from a satellite, while receiving a transmission or from the command centre. Every single of Ran’s releases is a …
Continue reading ““The Wayward Regional Transmissions†reviewed by Data.Wave”
Ten years ago J. Smolders quit developing work from preconceived compositions, planned into the smallest details. Since them, he has been using ways of work more undefined and fuzzy. While taking these steps, he cultivates states of deep concentration, and then he makes the work with a few quick touches. He uses these elements when …
Let go theorizing, theories, rational reasoning. Strive for Stikhiya. Or: primitive immediacy. Then and there, organic holistic experiences (may) emerge, dixit Yorgis Sakellariou. It’s where unfathomable and formless forces of perception are at play; awe-inspiring, myth-making. On his cassette Sakellariou manipulates field recordings from various sources; be it natural or technological/industrial, be it in the …
From Scotland Graeme Truslove bridges the divide between fixed-medium electroacoustic composition and performance based on improvisation. From meticulous structuring of aural mosaics with sonic impulses placed at exactly the right time, place, texturing et cetera, Truslove moved into the realms of the recording and manipulation of these works. Consequently and rather ironically, as technology advanced, …
Continue reading ““Intuited Architectures†reviewed by Vital”
Episode 191 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, April 28th. The playlist of Futurónica 191 is: Ø, Sisään (1994, Metri, Sähkö) Ø, Hornitus (1994, Metri, Sähkö) Ø, Kuvio (1994, Metri, Sähkö) Ø, JL-CSG I (1994, Metri, Sähkö) …
On paper, you might assume an album structured from old Nintendo game sounds and 1990’s-era VSTs would be cheeky chiptunes- but this Durán Vázquez album is nothing of the sort. ‘Hikikomori’ is social reclusion and while the atmosphere here is insular, and isolated, this isn’t the sound of somebody playing computer games. This is tense …
Continue reading ““Hiku Komuro, Hikikomori†reviewed by Chain DLK”
Three new releases from Crónica take the listener from Portugal to Greece to Scotland. Geographically dispersed as the origins of these composers may be, the works hold a firm common Crónica thread in serving aural tapestries amongst the best in avant-garde contemporary music on the verge of composed acoustic and electronics music. Durán Vázquez work …
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