Author Archives: Miguel Carvalhais

Futurónica 191

Episode 191 of Futurónica, a broadcast in Rádio Manobras (91.5 MHz in Porto, 18h30) and Rádio Zero (21h GMT, repeating on Tuesday at 01h) airs tomorrow, April 28th. The playlist of Futurónica 191 is: Ø, Sisään (1994, Metri, Sähkö) Ø, Hornitus (1994, Metri, Sähkö) Ø, Kuvio (1994, Metri, Sähkö) Ø, JL-CSG I (1994, Metri, Sähkö) …

Continue reading “Futurónica 191”

“Hiku Komuro, Hikikomori” reviewed by Chain DLK

On paper, you might assume an album structured from old Nintendo game sounds and 1990’s-era VSTs would be cheeky chiptunes- but this Durán Vázquez album is nothing of the sort. ‘Hikikomori’ is social reclusion and while the atmosphere here is insular, and isolated, this isn’t the sound of somebody playing computer games. This is tense …

Continue reading ““Hiku Komuro, Hikikomori” reviewed by Chain DLK”

“Hiku Komuro, Hikikomori” reviewed by Vital

Three new releases from Crónica take the listener from Portugal to Greece to Scotland. Geographically dispersed as the origins of these composers may be, the works hold a firm common Crónica thread in serving aural tapestries amongst the best in avant-garde contemporary music on the verge of composed acoustic and electronics music. Durán Vázquez work …

Continue reading ““Hiku Komuro, Hikikomori” reviewed by Vital”

New release: Durán Vázquez‘s “Hiku Komuro, Hikikomori”

This album was created from January and December 2016 in Vigo, Galicia, using digital media in a Windows laptop, and hacked VST plug-ins from the late 1990s. Samples from old videogames were used as source materials, recorded with the freeware emulator Nestopia (v1.40) by Martin Freij, FM synthesis with Sound Forge (v6.0) and other synthesized …

Continue reading “New release: Durán Vázquez‘s “Hiku Komuro, Hikikomori””

“The Waste Land” reviewed by A Closer Listen

As we wrap up our five-day field trip, we travel into unfamiliar territories ~ mysterious lands marked by strange and unsettling sounds. Your guides for these journeys: Luci Forcucci, Yannick Dauby & Hitoshi Kojo and smallhaus. Luca Forcucci was given an unusual challenge for his journey into The Waste Land ~ to compose a film …

Continue reading ““The Waste Land” reviewed by A Closer Listen”

“Digital Junkies in Strange Times” reviewed by Sherwood

Mi avvicino con passo guardingo, fingo di non conoscere l’essere impalpabile che governa il mondo nel quale mi trovo. So per certo che al minimo cenno lui si volterà, cercherà i miei ricettori sensoriali e trovati, inizierà la danza circolare che pian piano avvolgerà tutte le mie difese trascinandomi tanto così, vicino alla sorgente della …

Continue reading ““Digital Junkies in Strange Times” reviewed by Sherwood”

“Under my Skin” reviewed by Data.Wave

Lithuanian musician Gintas K released his new work on Crónica label called Under My Skin. This is a cassette release in limited edition of 100 copies. I think that with Under My Skin album the author found his original sound, which he was reaching for a long time. I’ve listened to a number of his …

Continue reading ““Under my Skin” reviewed by Data.Wave”