Another splendid work by Bruno Duplant, one of my current personal favourites of enigmatic and sometimes minimal composition. His Sombres Miroirs (CRONICA 188-2022) is, by his standards, positively teeming with activity and events, and in this floating richness we can hear everything from backwards orchestras to uncertain cosmic gyrations – planets spinning or nebulae drifting into the distance. Profound, …
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Quite nice short tape experiments from Morten Riis on his cassette Lad Enhver Lyd Minde Os Om(CRÓNICA 186-2022). He did it using modified four-track cassette recorders and his own home-made synths, although the press notes are a little short on specifics, and refer us to mysterious processes such as “media and the human-object participatory democracy”. I suppose this may …
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Crónica bringen Ende des Monats eine CD mit vier Tracks heraus, die das portugiesische Festival Lisboa Soa in den Jahren von 2016 – 2020 dokumentieren. Vertreten sind Ana Guedes, João Castro Pinto, Mestre André und Sara Pinheiro – vier Vertreterinnen und Vertreter der einheimischen Experimentalszene, die als Komponisten, Soundesigner- und Performer in verschiedenen Kontexten aktiv sind und …
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Crónica veröffentlichen dieser Tage einnen neuen Longplayer des baskischen Komponisten und Soundartist Miguel A. García mit vier ausladenden Tracks, basierend auf Field Recordings und anderem klanglichen Rohmaterial, bei denen eine Reihe weiterer Personen – Pedro A. Mirones, Maite Mugerza (von der auch die im Artwork verwendeten Zeichnungen stammen), Garazi Navas, Schahram Poursoudmand, Alex Reviriego, Jeff …
Continue reading “Miguel A. García’s “Eraginie” reviewed by African Paper”
Miguel A. García launches Eraginie with the sounds of “a hypothetical space junk video game,” and then proceeds to find awe in detritus and debris (Crónica, September 5). via A Closer Listen’s Fall Music Preview.
Alcuni concetti sono ricorrenti perché affascinano numerosi artisti. David Lee Myers ne riapre uno spesso frequentato di recente, grazie alle continue conferme dalla fisica quantistica: il tempo non esiste. Noi siamo organismi che crescono e cambiano, in un prima e in un dopo. Ma quello che misuriamo è un continuum. Giorno e notte li consideriamo …
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Miguel A. García is an artist living in Bilbao who works in experimental music and sound art. He is active in various groups or collectives and is also known under his other project name, Xedh. In another life, for another magazine (back in 2010), I got to review his release “Vinduskarm” on the Athens-based Triple …
Continue reading “Miguel A. García’s “Eraginie” reviewed by Vital Weekly”
