Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Soundexpeditionen

Und nun etwas komplett anderes.Diese Musik hab ich seit Dezember hier liegen. Mehrmals angehört und ich wusste sie nie so richtig zu fassen.Die Musik von Conlon Nancarrow ist mir bekannt, aber auf einer Orgel?!?Ich muß zugeben, dass ich mit dem ersten Hören dieser Veröffentlichung so meine Schwierigkeiten hatte.Ich mag Orgelmusik, schon als Jugendlicher bin ich …

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Salt Peanuts

American iconoclast composer Conlon Nancarrow’s «Studies for Player Piano» is a series of 49 études for a mechanical piano, exceeding human performer limitations, composed between 1948 and 1992 and often relying on mathematical formulas and overtone series. These «Studies» emphasize in a playful and acrobatic manner, often with provocative and complex sounds, that the use …

Rutger Zuydervelt & Bruno Duplant’s “L’incertitude” reviewed by The Sound Projector

On L’Incertitude (CRÓNICA 157-2020), we have the pairing of two very productive Europeans Bruno Duplant and Rutger Zuydervelt, collaborating together for the very first time and producing two long sides of music / sound on a cassette, whose titles might be tinged with existential doubt. French composer Duplant often comes our way via the Rhizome.s label, a home for ultra-minimal and …

Francisco López’s “DSB” reviewed by Vital Weekly

The title doesn’t tell us much more than Francisco Lopez’  myriad “Untitled” works do; I’ve no idea what DSB is an acronym for, if it’s even an acronym at all. So I’m really unsure what this album is all about… which I imagine is fine with Lopez. While many of his previous albums have little …

Øyvind Brandtsegg’s “Nancarrow Biotope” reviewed by Nettavisen

Veldig annerledes – veldig fascinerende Jazzfolket kjenner igjen navnet Øyvind Brandtsegg fra samarbeid med Kristin Asbjørnsen og Krøyt og Live Marie Roggen. Her møter vi professoren fra NTNU i en totalt annerledes setting. Jeg bryter sammen, om ikke i krampegrÃ¥t sÃ¥ i alle fall lett hulken, og tilstÃ¥r at jeg beveger meg ut pÃ¥ relativt …

Pedro Rebelo’s “Listen to me” reviewed by Kathodik

Il compositore e sound artist portoghese Pedro Rebelo, nel 2017 si è ritrovato a poter seguire un gruppo di ricerca sull’applicazione delle nanotecnologie nell’ambito della sicurezza alimentare presso l’International Iberian Nanotechnology Laboratory di Braga, avendo cosi l’opportunità d’immergersi nel particolare panorama acustico offerto dai laboratori in cui questa avviene.Macchinari in fasi cicliche, stridori, sibili e riavvolgimenti, …

Síria’s “Boa-Língua” reviewed by Neural

Boa-Língua in Portuguese literally means “good tongue”. This expression is often used in contrast to “bad tongue” that is “small talk”. For his second album Siria used structures of his former work, Cuspo. She used them as organising principle for the structure (9 songs in one sequence, the final one being a repetition) and length …

Roel Meelkop’s “Crossmodulated” reviewed by Silence and Sound

Ça commence par des frottements, peu à peu rattrapés par une forme d’énergie bourdonnante, parasitée par des ondes radio grésillantes… Crossmodulated de Roel Meelkop est une entité sombre, un trou noir dans l’espace avalant les étoiles et le magma du temps, déversant le chaos sur le monde qui l’entoure dont il est lui même le créateur et le …