Persistent Disequilibrium is based on a set of new musical instruments where finger mounted piezo pickups are used with transducers on vibrating plate-like objects to explore resonances by touch. This creates a feedback loop where sonic vibrations pass through the material to be investigated and are not transmitted through the air. The direct contact let …
Continue reading “New release: Øyvind Brandtsegg’s “Persistent Disequilibrium””
This work was commissioned for Casa Sonora curated by David Velez for the Explora Museum, Colombia, in 2020, a project during the first Covid-19 lockdown that compiled works to stream or download and play or interact with in a mobile phone. As a child I loved singing in the bath. Singing may be a bit …
Continue reading “New release: Monty Adkins’s “Remote Communion””
The inspiration and the recordings for the piece Stromschauen (view/look current/power) were formed during walks in Berlin/Pankow in the last days of December 2020. In a situation of urban sound environment slowed down by the Covid rules and the holidays in general, various power boxes and their whirring and humming became more noticeable. The AC …
Pedro Tudela and Miguel Carvalhais collaborate as @c since 2000. They have released and performed extensively, often collaborating with other artists and collectives in a practice marked by radical experimentalism with computational sound. In 2003 they established Crónica, a label dedicated to experimental music and sound art, that they since run. Since 2005 Tudela and Carvalhais have also …
We’re proud to present Matilde Meireles’s new release in Crónica, “Life of a Potato”, now available as a limited release tape, as a download, or stream. The potato has travelled a long way from its native lands in South America. The starchy tuber, brought to Europe by the Spanish in the late 1600s, slowly settled …
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Crónica’s first release for 2022 continues @c’s Installations series. “LMY-7-10” was created after the installation of the same title commissioned by the Serralves Foundation for the festival Serralves em Festa and curated by Pedro Rocha. In two spaces contiguous to the Chapel in Serralves — the stairs of its tower and the room adjacent to …
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“Is it possible to choose between the terror of silence or the terror of noise? Is emptiness more intoxicating? Does presence welcome us into its bosom, or does it expel us, usurping our place? The boundaries, if there are any, are blurred and, like false doubles, interchangeable. Sound and silence are conjoined twins. Those same …
Continue reading “New release: Miguel A. García’s “Evhiblig””
Material Composition 1 and 2, start from the mysterious timbre of a beautiful Rin Bell, played solemnly, in a ritualistic fashion. Over the development of the pieces, delayed electronic sequences, rhythmic patterns of metallic percussions, synthesized sounds with industrial overtones and a wide range of other sounds are modulated, revealing several new patterns in a stratified acoustic …
Máquina Magnética was born from the meeting of four experimental artists with consolidated practices across both solo and collective work: Gustavo Costa, drummer, percussionist, and one of the heads of the Sonoscopia collective, on acoustic and electro-mechanic percussion; Pedro Tudela and Miguel Carvalhais, of the @c project and the Crónica label, on computers; and Rodrigo Carvalho, of the Openfield and Boris Chimp 504 …
On the 17th March 2020, one week before the UK national lockdown, Yan Wang Preston decided to photograph a single rhododendron tree every other day at half an hour before sunset, for a year, with sounds from the site recorded by Monty Adkins and Yan Wang Preston each month. The rhododendron was introduced to the …
Continue reading “New release: Monty Adkins’s “With Love. From an Invader.—
