Like its title suggests it is a further interpretation and reworking of a work called “0.000” that was once released by Japanese artist Nosei Sakata (perhaps better known as *0). The original work of Sakata contained no audible sounds, and was therefore ideally open for interpretation. The work was “remixed” and reworked by a score …
Continue reading ““Further Consequences of Reinterpretation†reviewed by Funprox”