“Is That You?” reviewed by 5 against 4

Is That You?
Netlabels – a curious phenomenon, n’est pas? • On the one hand, they’re rather like havens for creatives to inhabit, artistic agglomerations producing wildly (un)predictable output; on the other, their surprising dedication to giving music away free of charge seems to have abandoned any hope of remuneration for creative endeavour • It’s hard to see them as the future; for now, at least, they’re fascinating & very useful; a gift horse into the mouth of which i have no intention of looking • Some netlabels have made the mistake of becoming stylistically typecast (e.g. one – & a feeble style at that), while others seemingly vanish overnight (the most recent being Nikita Golyshev’s excellent Musica Excentrica, that one can only hope returns soon) • The best, however, chart an altogether less predictable path through territory that is often radical & challenging • Crónica is one of my favourites, a netlabel combining physical & digital releases, some of which are free, alongside some curious accompanying paraphernalia (or, if you prefer, art) & interesting podcasts •

It was Crónica that introduced me to the Italian multimedia duo Tu M’ who, early this year, released a free EP entitled Is That You?, which quickly became—& remains—one of my favourite releases of 2008 • It comprises three tracks, one for each word of that title, exploring markedly different sonic environments • The laptop—rapidly becoming (at least, ostensibly) a sine qua non for the budding composer—is the instrument of choice for Tu M’, but this is very far from obvious in the opening track, “Is” • It’s an organic, woody composition, with clarinets & marimba pervading most clearly through the warm fog that drifts stodgily for its 5-minute duration • Tu M’ have struck a critical balance here; the sounds are obviously treated & manipulated, but at no point lose that essential quality that betrays a raw acoustic origin • It’s beautiful & tragic, a dirge-like procession that is as moving as it is striking • The longest track, “That”, occupies a more luminous landscape, spinning & pulsating with heavy radiance • Pulses, yes, but not a pulse, as such; the object at the aural centre floats tantalisingly free from any trace of rhythm, couched in the kind of soft ambient washes that, in lesser hands, become mere mush • It’s an exquisite ambient creation, static & yet always shifting & evolving, hovering around the listener, by turns sitting quietly & looming large • “You?” is something of a counterpart to the opening track, although here dirge has turned to majesty, tears have yielded to a smile, its slow chord progressions sounding like a chorale intoned on deep brass • Although voluminous, the 7 minutes of velvet richness have a lightness that’s difficult to pinpoint, but is clearly evident; maybe it’s the brightness of the cadence that begins each repetition, perhaps the impossibly slow crescendo—whatever, it is a ravishingly, emotionally laden valediction to a really excellent little EP • i cannot recommend this release highly enough • My average rating: 5/5

via 5 against 4

New unlimited release: Morten Riis’s “Digital Sound Drawings”

Digital Sound Drawings
Crónica is delighted to present the fifth release in the Unlimited Series, “Digital Sound Drawings” by danish composer Morten Riis.

“Digital Sound Drawings” is a collection of 6 pieces composed through the drawing of images and their direct conversion into sound. By literally drawing sounds, Morten Riis presents us carefully hand-crafted pieces that are in reality audiovisual creations, due to the great care that was put on composing not only the sound but also the visual appearance of their waveforms.

This release is distributed as 24 bit 44.1 KHz AIFF files, and the listener is encouraged to use a wave editor when listening to the tracks, watching the waveforms as they play.

The compositions

In the recent years the tendency in music software has been to facilitate usage, including more and more pre-made presets and sound banks to work from. Consequently, more and more of the actual sound creation has shifted from the composers’ hand to the music software programmers’. For me it has been become more and more uninteresting to use music software to create music because you have to go a long way to push the software to its limits before you get satisfying results. That’s why I started to use other not-music-specific software to create my music. When you work with this type of “data bending” you achieve a closer relation to how the computer actually handles data, you work more “under the hood” of the computer, and you must be able to understand how the different bits and bytes work in the computer, in order to get what you want.

That’s why I chose to draw my sound material in an image editor. Working in that way you have control over each sample, you work in an environment where the standard music terms do not exist, and thereby force your mind to think outside the box of musical conventions.

Tracklist

  1. [d.raw]
  2. [new.s]
  3. [wav.form]
  4. [nor.m]
  5. [raw.d]
  6. [pic.ture]

The artwork

Conical
With “Digital Sound Drawings”, Crónica presents the fourth release in the Limited Series of original artworks. The Limited counterpart to “Digital Sound Drawings” is ”Conical”, a certified signed and numbered limited edition of ten 40 x 40 cm archival inkjet prints by Marius Watz. For ordering, please see this page.

Donations

A lot of hard work is invested in these releases and in Crónica’s operations. We do not believe in DRM and we certainly don’t want to create any barriers between you and our releases, so, all of the Unlimited Releases will be free to download, but if you can, please consider to leave us a small donation for the benefit of both artists and label. Don’t forget to leave us your address, so that we can send you a thank you postcard in return.

Free download!

Follow the link to this release’s page in Crónica or get it directly from here (236MB).

New limited release: Marius Watz’s “Conical” prints

Conical
We’re very proud to announce the fourth release in the Limited Release series of Crónica, Marius Watz’s “Conical”.

Conical is an investigation of a 3D form composed of lines that trace out segments of multiple cones. Seen at a distance, the form becomes a spatial volume. Zooming in, the sense of volume disappears and the form becomes a 2D surface. The image resolves into a complex pattern of optical interference, without any depth cues to indicate its 3D nature.

Conical
Conical is also the cover art for Morten Riis’s “Digital Sound Drawings”. Each of the 10 signed and numbered copies is signed and certified by Marius Watz and available directly from Crónica for just 125€.

“Praxis” reviewed by Neural

Praxis
In foggia di repentini assemblamenti auditivi, elettroacustica ed influenze microsound, il multi-strumentista turco Cem Güney (che vanta anche esperienze in qualità di dj e trombettista) dà vita per la label sperimentale portoghese Cronica ad un’affascinante sequenza di suoni sintetici e field recording . Composizioni che gravitano su un attenzione autorale tutta focalizzata alla percezione di frammenti, nelle forme di riverberi, crackle e dilatate iterazioni, che confluiscono ad arte in partiture anche ambient e acusmatiche. Gentile ma ancora in qualche modo ispida, elaborazione di trame sofisticate concettualmente e vivide, sperimentale nell’articolare sequenze algoritmiche in bilico tra spiritualità e scienza. Meditazione sull’universo udibile che fonda la propria esplorazione sulle stesse suggestioni che specifici automatismi corporei ci suggeriscono: il sangue che pulsa, l’energia elettrica dei nervi, i crepitii delle orecchie. ‘Nada Yoga’ senza melodie e parole, ritmi e armonie: giusto il suono d’un vibrante respiro. Aurelio Cianciotta

via Neural

New Crónicaster: Natal dos Experimentais 2008

Natal dos Experimentais 2008
Gustavo Costa, Jonathan Uliel, Miguel Cardoso, Miguel Carvalhais, Neil Davidson, Pedro Almeida, Pedro Tudela, The Beautiful Schizophonic, Vitor Joaquim & Autodigest perform at the fourth edition of Crónica’s Natal dos Experimentais, in Passos Manuel, Porto, December 19 2008.

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